LERMONTOV ROMANTICISM AND JENA SCHOOL. Part 2
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 2
Abstract
This article examines the understudied subjects of Lermontov life and work: his stay at the Moscow noble boarding school and his direct engagement in Cepheus, a literary annual run by the literary circle of Raich, where Lermontov’s first poem, “Thoughts, Extracts, and Reflections…” was published. The author proves the authorship of Lermontov’s “Thoughts…” that had been included in the sixth volume of the academic edition of his works under the category of “Dubia” but had been excluded from many later editions. Close reading of “Thoughts...” and a comparative study of selected fragments with Lermontov’s letters to M. A. Shan-Girey demonstrate that even this early essay drawing ontological differences between the principles of classicism and Romanticism bears the imprint of the Early Romantic aesthetics. The analysis reveals typological similarities between “Thoughts…” and the ideas of Jena school that were most fully manifested in the writings of brothers Schlegel brothers thoroughly studied in the literary circle of Raich. In a section devoted to aesthetic views of S. E. Raich, the author disagrees with those researchers who consider him to be either archaist or classicist and claims that he was an adept of Jena school rather than a “neopetrarchist.” Ideas discussed in the circle and during the lectures influenced the young poet as his future work testifies. Within the period of 1829-1831, he published a Byronic poem “June 11, 1831,” on the one hand, and a poem “Angel” that echoes the ideas of Wackenroder, on the other hand. If for Raich, a combination of these two conflicting Romantic schools was inconceivable, for young Lermontov, it was a natural outcome of his apprenticeship period since each school offered him the means to understand the essence of Romantic method as such.
Authors and Affiliations
L. G. Shakirova
Keywords
Related Articles
- EP ID EP26150
- DOI 10.22455/2500-4247-2017-2-2-144-171
- Views 272
- Downloads 14
New Admissions to the K.G. Paustovsky Moscow Literary Museum-Center
This is an overview of а new collection received by the K.G. Paustovsky Moscow Literary Museum-Center in 2017, the year of the 125th anniversary of his birth. The collection consists of 366 items. Among them are manusc...
THE APHORISM AND PLAY IN THE ARTISTIC PARADIGM OF THE NOVELS BY CRÉBILLON-FILS
The article examines the function of ludic poetics and the role of aphorisms in the novels by Crébillon-fls: “L’Ecumoire, ou Tanzaï et Néadarné.” “Les Egarements du cœur et de l’esprit,” and “Le Sopha.” It argues that...
Religious Dimension of German “Unending Book” in the Children’s Fantasy by Cornelia Funke
This article examines a fantasy genre in the work of Cornelia Funke against the background of Protestantism and “Als ob” (“as if”) philosophy. Alongside, it also explores fantastic Romantic novels written by modern Germa...
Two Wooers and their Sonnets: On Poetic Forms in Romeo and Juliet
The article looks at the semiotics of the sonnet form used by Shakespeare in his tragedy Romeo and Juliet. Particular attention is paid to two sonnets, of Paris and of Romeo, in which different manners of courting are p...
“Falsification of Shakespeare”: Georgy Shengeli’s Unpublished Article on Boris Pasternak’s Translations
In his article “Pasternak’s Shakespeare” (1945), Georgy Shengeli, poet, literary translator and expert in prosody, examines the fragments from Shakespeare’s tragedies Romeo and Juliet and Hamlet translated by Boris Past...