A FOREWORD ON THE ANNIVERSARY (ON THE 50TH ANNIVERSARY OF BRYUSOV CONFERENCE)
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 2
Abstract
No Abstract
Authors and Affiliations
А. V. Gevorkyan
Keywords
Related Articles
- EP ID EP26161
- DOI 10.22455/2500-4247-2017-2-2-342-346
- Views 276
- Downloads 14
THE IDEA OF MODERNITY IN ITALIAN LITERATURE AT THE TURN OF THE 19th AND 20th CENTURIES
The article analyzes various concepts of modernity in Italian literature at the turn of the 19th and 20th centuries. Modernity is considered a key category of the literary process of the period: different views of moder...
Two Wooers and their Sonnets: On Poetic Forms in Romeo and Juliet
The article looks at the semiotics of the sonnet form used by Shakespeare in his tragedy Romeo and Juliet. Particular attention is paid to two sonnets, of Paris and of Romeo, in which different manners of courting are p...
Postmodernist Techniques and Grown-Up Themes in the Juvenile Novel Learning to Scream (2009) by Beate T. Hanike
The novel Learning to Scream (Rotkäppchen muss weinen, 2009) by Beate Teresa Hanika is addressed to the adolescent reader. This is a novel about growing up, a novelinitiation which main character challenges life circums...
A FOREWORD ON THE ANNIVERSARY (ON THE 50TH ANNIVERSARY OF BRYUSOV CONFERENCE)
No Abstract
LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE “TOUCHING” PAINTINGS]
In his Salons, Denis Diderot pays special attention to “touching,” pathetic paintings, and his interest to J.-B. Greuze’s art is evidence to that. When Diderot turns to describe Greuze’s canvases or genre painting of J...