NATIONAL SPECIFICITY AND ARTISTIC VALUE: AT THE CROSSROADS OF ETHNOCULTURAL DISCOURSE AND AXIOLOGICAL CRITIQUE

Journal Title: Studia Litterarum - Year 2018, Vol 3, Issue 2

Abstract

The article discusses correlation of ethnic, cultural, and axiological approaches as a methodologically relevant problem in literary studies. The weakening interest in the structural and semantic complexity of the literary work and devaluation of the assertion criteria assign a peripheral role to the creative factor in art. As a result, the principle of aesthetic selectivity and the literary approach to the functional role of ethnocultural realities remain in the shadows of axiological relativism. The essay intends to restore the status of “artistic value” as a significant category in literary studies by practicing axiological approach within the literary discourse; it also invites to pay special attention to the semantic complementarity of “national specificity” and “artistic value” respectively. A change of values affects and modifies the state of literature and its self-awareness by opening a new horizon of self-expression and modelling a certain worldview; it reveals productive struggle of established and emerging meanings, traditionalist attitudes and promising artistic intentions. In contemporary literary criticism oriented at the study of the literatures of the peoples of Russia, there is a demand for the reconstruction and reevaluation of national literatures. Such criticism seeks to overcome the existing gap between axiological and cultural aspects of textual analysis.

Authors and Affiliations

Кazbek К. Sultanov

Keywords

Related Articles

THE ROLE OF AUTHORIAL SELF-REFLECTION IN THE DEVELOPMENT OF THE NEW BELARUSIAN LITERATURE ( EARLY 20 TH CENTURY )

The essay focuses on the development of a new Belarusian literature in the early decades of the 20 th century and the ways Belarusian writers reflected on the perspectives of the national literary development. During thi...

Stylistic Originality of Spenser’s Epithalamion and its Reflection in Russian and Chinese Translations

Contemporary notion of style as a set of rules that allows the author choose and combine the elements of content and form when producing a literary work (V.V. Vinogradov, A.N. Sokolov et al.) was in many respects prefi...

On the Image of Calif Ali in Malay Narrative Tradition

With the advent of Islam in the region of maritime Southeast Asia, stories about Prophet Muhammad and his closest companions began to spread there. The most important ones among them are Malay stories about early Islam...

INTERACTION OF VARIOUS GENERIC FORMS IN THE 12TH–17TH CENTURY TEXTS AND THE MINDSETS OF OLD RUSSIAN AUTHORS

The essay focuses on the understudied question of the poetics of Old Russian literature: it is the frst study of the kind that analyzes semantic interaction of different generic forms in the works of the period. The ess...

“Falsification of Shakespeare”: Georgy Shengeli’s Unpublished Article on Boris Pasternak’s Translations

In his article “Pasternak’s Shakespeare” (1945), Georgy Shengeli, poet, literary translator and expert in prosody, examines the fragments from Shakespeare’s tragedies Romeo and Juliet and Hamlet translated by Boris Past...

Download PDF file
  • EP ID EP26235
  • DOI 10.22455/2500-4247-2018-3-2-230-251
  • Views 296
  • Downloads 17

How To Cite

Кazbek К. Sultanov (2018). NATIONAL SPECIFICITY AND ARTISTIC VALUE: AT THE CROSSROADS OF ETHNOCULTURAL DISCOURSE AND AXIOLOGICAL CRITIQUE. Studia Litterarum, 3(2), -. https://europub.co.uk/articles/-A-26235