Confession as a Form of Social Liberation and Seduction
Journal Title: International Journal of Applied Language Studies and Culture - Year 2018, Vol 1, Issue 1
Abstract
“Finally a woman confesses! Confess what? What women never allowed themselves to confess. What men always criticized on them: they only obey the blood and everything is sex on them, even the spirit.” ― Pauline Réage, Story of O Modern literary commentary has a tendency to dismiss William Shakespeare’s A Lover’s Complaint as a poem not worthy of his pen. However, certain scholars, such as Mac Jackson, Kenneth Muir, and Roger Warren, have brought this poem back into the world of criticism. The female Lover1 in the poem beguiles with her intriguing confession and shows the naiveté and power of consent and seduction. This narrative poem exemplifies the complexity of female love and how it inescapably leads to a broken heart. The female Lover in the Complaint is seduced, betrayed, and abandoned by her wooer; nonetheless, at the conclusion of her poignant lament, she discloses that, if given a chance, she would do it all over again. This strange contradiction has caused intriguing and rather perplexing interpretations through the centuries. Some critics have claimed that this work does not belong to Shakespeare.2 That idea probably derived from the long-held belief that Thomas Thorpe did not have Shakespeare’s authorization for publishing the Sonnets and this poem in a 1609 quarto (Bevington 160). Nevertheless this particular edition remains the only valid evidence that it is his poem.
Authors and Affiliations
Zorica Jelic
Keywords
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- EP ID EP43526
- DOI https://doi.org/10.34301/alsc.v1i1.6
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Confession as a Form of Social Liberation and Seduction
“Finally a woman confesses! Confess what? What women never allowed themselves to confess. What men always criticized on them: they only obey the blood and everything is sex on them, even the spirit.” ― Pauline Réage, S...