AUTHORIAL FORESHORTENING OF THE MUSICAL SENSUALITY IN POLINA BARSKOVA'S POEM «REFLECTION»
Journal Title: Проблеми сучасного літературознавства - Year 2016, Vol 0, Issue 23
Abstract
In article is presented the reading of sense-generation’s potential of «musical erotica» in the poem of the modern Russian-speaking poetess Polina Barskova «Reflection». In a lyrical plot is revealed the authorial point of view on correlation of themes of intimacy and musicality. Transformations of erotic codes are analysed in accordance with actualization of musicality by authorial consciousness of the poetess. The study is comprehended the author's view of the world in the text of «Reflection». In the field of a research such have entered indicators of the author's world of the poetess as authorial codes, erotic connotations, musical symbolics, a semiotization of passions. The problem of an authorial foreshortening is not only actual, but also is perspective for a research. The authorial foreshortening is model of a view of the world through a prism of an originality of consciousness of the poet in the context of searches of modern literary criticism. The purpose of this article is to comprehend polyphonic unity of erotic and musical connotations in correlation with the author's point of view on material of the poem «Reflection» of Polina Barskova. The subject of «musical erotica» is attractive to Polina Barskava by the semantic potential allowing to create a special authorial foreshortening in expansion of a lyrical plot and in a view of the world. In respect of prospect of a further research it is represented interesting to continue studying of manifestations of «musical erotica» on material of modern lyrics.
Authors and Affiliations
Svetlana Fokina
Keywords
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