FEATURES OF GENRE TRADITIONS OF PROSE OF MIKOLA KOSTOMAROV

Abstract

In the article the genre-style features of M. Kostomarov’s prose are defined, the influence of European and national traditions on the formation of the style of the artist is determined, the author’s innovative role in starting the literary genre of dystopia is determined. M. Kostomarov’s prose — is an the original phenomenon of literature of the nineteenth century, which is a peculiar synthesis of journalism, folklore, ethnography. Among them are the stories «Kudeyar», «Son», «Forty years», «Kholui», «Chernigovka», «Scots revolt», «Adventures on death», «Sick», «Faina», «Olhovniak», «Illegal births «,» Taynovidets «. Genius pluralism of M. Kostomarov’s prose is determined primarily by the ideological and aesthetic platform of romanticism. Under the influence of romanticism, the writer determines his prose works: the story «Kudeyar» is defined as a historical chronicle, the story «Forty years» is called folk Ukrainian legend, the story «Cholly» — an episode in the historical and everyday life of the era, the story «Chernigovka» — a household story, a story «Son» is called a story. Kostomarov bases his tales on a variety of sources: legends, verbal tales, life stories, materials of litigation. Here he details and scrupulously reproduces the color of the epochs of the XVI–XVIII centuries. Documentation, focus on historical facts is dominant in the genre structure of the writer’s prose. In the stories of Kostomarov, the historical truth is closely connected with the artistic, artistic peculiarity intertwined with the historical fact, the true historical persons function with fictional characters. In the prose of the writer, every historical epoch is represented by the relation of life and artistic truth. According to his genre-style features, Kostomarov’s prose combines both national and European traditions. In the genre aspect, it absorbs traditions of the Walter-Scottish type of historical novel, elements of Gothic prose. Today his works are never more relevant than ever, and they deserve a proper assessment of contemporaries.

Authors and Affiliations

Irina Terekhova

Keywords

Related Articles

The Principles of the Spatial Time Organization of the Contemporary German Autobiographical Literature

The study tested the peculiarities of chronotope of the autobiographical novels. The special attention is paid to the specificity of spatial time continuum of modern German autobiography. The analysis is based on Günter...

H. BARBUSSE, E. REMARK, O. GONCHAR: THE PHENOMENON OF INSPIRATION ANDMASTERY

The identity variations of antiwar theme by A. Barbusse, E. Remark and O. Gonchar are investigated in this article. The compositional differences, intonation and rhythmic are outlined. They are related with authors’ pred...

HYPOSTASES OF ARTISTIC SPACE: NOSTALGIA AND IMAGINATION (ON THE EXAMPLE OF THE STORY «KABALA » BY A. POTYOMKIN )

Artistic space, presented in the story «Kabala» by A. Potyomkin, can be seen in various hypostases. The real, ethereal and ill-fated areas of the imagination of the main character connects with his opium dependence. Parf...

F. DOSTOEVSKY AND CH. DICKENS: THE QUESTION OF THE TRANSFORMATION OF MOTIVES

The article attempts to trace the transformation of motives Dickens’s novels in the works of Dostoyevsky as an example «The Old Curiosity Shop» and «Humiliated and Insulted». Among the borrowed from the English writer’s...

MICROPOETICS OF KHARKIV POETESS KATAEVA`S LYRICAL CYCLES

The article deals with the investigation of role played by ;lyrical cycles as an independent genre in poetess` works and the analysis of separate components of micropoetics (for example: the rhythm, the phonics, the poet...

Download PDF file
  • EP ID EP632764
  • DOI 10.18524/2312-6809.2019.28.165835
  • Views 70
  • Downloads 0

How To Cite

Irina Terekhova (2019). FEATURES OF GENRE TRADITIONS OF PROSE OF MIKOLA KOSTOMAROV. Проблеми сучасного літературознавства, 0(28), 82-89. https://europub.co.uk/articles/-A-632764