A. BARBUSSE , E. REMARK AND O. GON CHAR: SKILL ANTI-WAR ROMAN CE
Journal Title: Проблеми сучасного літературознавства - Year 2018, Vol 0, Issue 27
Abstract
The article is devoted to the study of the artistic structure of anti-war novels by A. Barbus, E. Remark and O. Gonchar. The general and distinctive features in the plot-compositional basis of the novels, psychology of the characters, portrait-landscape aspect, exteriors and interiors, author’s speech and so on are allocated. A special attention is paid to the peculiarities of their artistic method, such as realistic- naturalistic (A. Barbus and E. Remark) and realistic-romantic (O. Gonchar). In the study of cross-cutting artistic details, repeated epithets or words of the same root, the same type of tropes, images, symbols or language-gesture behavior of the characters traced the specifics of the artistic structure of the anti-war novels of these authors. In addition, the key words of the novels, which serve as generalized forms of figurative consciousness, as well as their influence on the metaphorical and philosophical-moral essence of the works, are studied. The features of the speech structure of the novels, qualification vocabulary and their role in the thematic interpretation in line with the author’s position are also studied. The images-symbols, which are determined by the specific historical circumstances of the war, its tragic collisions and black-and-gray coloristic, which draws into the zone of symbolic influence of the row of details that determine the level of reality, are characterized in the article. The process of combining of the journalistic layers with emotional-confessional intonations directly related to the personal world of the writers who recreated a specific diagram of the soldier’s soul in all its manifestations is studied. It is traced that in the analyzed novels the significant role is played by the color epithets, which are perceived along with other details and images simultaneously in two plans — concrete and symbolic, that perform the main semantic load.
Authors and Affiliations
Mykola Gumennyj, Vira Gumenna
METHODS OF TRANSFORMATION OF DRAMATIC TEXTS
This article analyzes the means of the information transformation as the result of communication in dramatic text. First of all, it considers the author,s image. In the drama the author – it’s me, who presents the text o...
ALLUSIONS IN YURI MUSHKETYK’S HISTORICAL PROSE
Genre modifications of the historical novel and story of XX – early XXI century influenced to the expansion of not only external, but also internal capacity of a literary text. In this regard, the historical prose of...
ДО ВІДНЯ — ЗА ЕМОЦІЯМИ
In article is considered a new drawing of I. K. Ayvazovsky which remains in the album belonging to G. P. Danilevsky, to the known writer, the author of novels «Mirovich», «Princess Tarakanova». This drawing remains in De...
EUROPEAN DIRECTION OF LESYA UKRAINKA AS A LITERARY, CRITIC AND PROSE WRITER
In the given article is analysed public and cultural position of Lesya Ukrainka. It was found out that epistolary and critical works by prose writer Lesya Ukrainka now acquire new, previously not mentioned semantic aspec...
OPPOSITION IN THE PROVINCIAL METROPOLITAN CHARACTER STUDY SKETCHES GONCHAROV AND GREBYONKA’S
Considered essays suggest that Russian and Ukrainian literature, 1st floor. Nineteenth century. produced many of the same feature model and the realization of metropolitan — provincial conflict. Copyright worlds in commo...