A case of auteur cinema in a changed cultural context: “Funny Games” (1997) and “Funny Games, US” (2007) by Michael Hanek
Journal Title: Journal of Comparative Research in Anthropology and Sociology - Year 2012, Vol 3, Issue 2
Abstract
The article is a case study of a cross-cultural auteur film-remake by Michael Haneke of his earlier film: Funny Games, US (2007) and Funny Games (Austria 1997), that is a part of a PhD project devoted to the cross-cultural film remakes. The case of the Funny Games, US although an exact frame-by-frame repetition, shows a significant alteration of meanings that arise out of the changed cultural context a remade film is destined to operate in. The different set of ideas and historical experiences modify a seemingly universal for the Western culture problem the film attempts to discuss with. Through cultural, hermeneutical analysis of a particular basic assumptions the films’ discourse is formed on, the author shows how given points lose their adequacy and relevance leading to a final failure of the communication process and a lack of expected reaction to the US-version-of-the-film’s efforts at provoking a serious debate.
Authors and Affiliations
Aleksandra Biernacka
Stories in social organization
Editor’s introduction to the Themed Issue
Matthew Engelke (ed.), 2009, The Objects of Evidence. Anthropological approaches to the production of knowledge
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