A Web of Power Circulating in Every Direction: Deleuze and Guattarian Reading of Sarah Kane's Cleansed
Journal Title: Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - Year 2017, Vol 57, Issue 2
Abstract
During the 1990s, a new movement on British stages emerged owing to the cultural, political, ideological, and social changes prevalent in British society. Despite the multiplicity of definitions loosely attributed to this movement, the term “in-yer-face theatre,” appears to be more commonly well-received and more encompassing. As an overt reaction to the changes taking place in British society at the time, newly emerging dramatists express their disillusionment, nonconformity through transgressing the bounds of purported decency in theatre, subverting conventional dramatic representations and techniques with the use of striking and challenging imagery. Belonging to this in-yer-face oeuvre, Sarah Kane, has given voice to several contemporary issues, including survival under harsh conditions like in war zone, indifference and desensitization to war, the power imbalance both in public and private spheres, commodified love and sex, gender and identity politics, as well as growing consumerism and repercussions in the society. Her third play Cleansed (1998) takes place in a stifling and captivating educational institution where characters in the play are allegedly disciplined and trained by violence against their unconformities. While criticizing the prevalent oppressive educational system that diminishes desire and unique individuality by seeking to subjugate students to the limits of conformity, Sarah Kane topsy-turvies dualistic thoughts based on societal norms between female/male, self/other, victim/victimized, body/mind, inside/outside oppressor/oppressed, victim/perpetrator, natural/unnatural, normal/abnormal, moral/immoral, and sane/insane. Despite the proclivity to interpret her plays fraught with pessimism and hopelessness towards future, this article recontextualizes her play Cleansed using Gilles Deleuze and Félix Guattari's positive and life-affirming philosophy, which I believe, will open up new alternative visions in the articulation of her play with regards to the question she raises about the fixed nature of identity, long-standing norms of sexuality, and gender inscription on the bodies.
Authors and Affiliations
Pelin KÜMBET
Keywords
Related Articles
- EP ID EP328432
- DOI -
- Views 92
- Downloads 0
Political State of Korea 1897-1910 and Daehan Empire
After the China-Japan war in 1897 with the end of China’s defeat, China started to lose its power. However, Japan emerged as another major power in the region after the Meiji Era. Korea moved away from long-term sovereig...
Construction of a Likert-Type Transformational Leadership Scale
The aim of the current study1 is to develop a free-access valid Likert-type measure to assess transformational leadership. Following a preliminary study involving literature reviews and interviews with 20 employees and 1...
Public Libraries as a Social Culture Institution: A Situation Map of Çankırı Public Libraries in Terms of Facilities and Services
The phenomena of development and change, increased with the impact of information technologies, has led to the 21st century being referred to as the "Information Age" and the societies fulfilling the requirements of this...
The Trotsky Opposition and Its Reflections on the Komsomol
Leon Trotsky was one of the most important figures of the Russian Revolution and he was the strongest candidate to replace Lenin. The power struggle that began during Lenin's illness grew more violent and resulted in the...
The Differences in Translation of Russian Verbal Aspects from Russian to Turkish
The structural differences in the grammar system of Russian and Turkish, which belong to different linguistic families, appear most strongly in aspect and tense categories of both languages. The comparative studies provi...