ABOUT SPECIFICATION OF LYRICAL NARRATIVE IN WORKS OF N. V. GOGOL
Journal Title: Проблеми сучасного літературознавства - Year 2015, Vol 0, Issue 21
Abstract
The language of lyric poetry is not a separate language. In it appear, or perhaps can be hidden, the laws that may manifest itself in normal, non-artistic language. It seems that the lyrics convert ordinary language into the language of lyric poetry, which is different from everyday language and represents a certain deviation from the norm. It is also true that in poetry the essence of language is revealed to a greater extent than in its everyday usage. That is why poetry is its more «normal» state. Poetic language has an amazing ability — to «charm» and withdraw beyond the visible world. N. V. Gogol sees the essence of language in a sacred way, which it concludes. He also elevates clean lyrics to this sense. This lyric poetry fills all the artistic works of the writer. In N. V. Gogol works except epic we find a truly lyric, that is the «supreme lyricism», which is identical to the sacred and understood as a genuine integrity. Then lyrical content is not an objective action, but what is behind it, extending to the fullness of the world. The most striking example of it is a novel-poem «Dead Souls», which combines the sensual (picture of the world) to the spiritual (the icon of the world). This article analyzes N. V Gogol’s lyrical narrative. This story has a few lines that go directly from the genus and species of the picture. In one case — the image is quite mundane, the other — iconicness-sacral. It is proved that N. V. Gogol’s composition should be considered as synthetic unity. Moreover the prose of the writer contains of tragic and lyrical. The author believes that N. V. Gogol’s language combines the origins of the sacred letters, which are able to transform the archaic word into the lyric word.
Authors and Affiliations
Viktoriia Valeriivna Liubetska
Keywords
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