Adaptasi Unsur Estetik Sunda pada Wujud Ragam Hias Batik Sunda

Journal Title: Journal of Visual Art and Design - Year 2018, Vol 10, Issue 1

Abstract

Abstrak. Studi tentang aspek identitas dalam ranah Batik Sunda dengan unsur estetiknya sebagai artifak budaya, merupakan kajian objek desain yang komprehensif. Sejumlah masalah yang ditemui yaitu perkembangan estetik Batik Sunda tradisional dan modern, agar bisa dikenali ciri khasnya dan perlu penjelasan hubungan antara wujud dan terapan unsur-unsur estetik dalam bentuk ragam hias Batik Sunda, terhadap identitas masyarakat Sunda secara intraestetik maupun ekstraestetik. Selanjutnya dalam mengkaji Batik Sunda secara estetik dan mengidentifikasi unsur-unsur estetik batiknya digunakan metode strategi adaptasi visual. Penelitian ini disusun dalam wujud strategi adaptasi visual berupa kreatifitas berdasarkan hubungan antara identitas dengan ragam hias pada Batik Sumedang, Batik Garut, Batik Tasikmalaya, dan Batik Ciamis. Kesimpulannya adalah terdapat konsep estetik Sunda di dalam ragam hias batik-batik tersebut; serta hubungan antara wujud estetik yang berasal dari hasil kajian dan terapan unsur-unsur estetik dalam bentuk ragam hias Batik Sunda, terhadap identitas masyarakat Sunda melalui penelusuran terhadap faktor intraestetik dan ekstraestetiknya, yang kemudian menjadi indikator adanya adaptasi visual (kebudayaan) masyarakat Sunda. ==== Adaptation of Aesthetic Elements at Form of Sundanese Batik Ornaments Abstract. The study of cultural identity related to Sundanese batik, considering aesthetic elements as cultural artifacts, involves a comprehensive investigation of batik as designed object. Some of the issues are investigating the aesthetic development of traditional and modern Sundanese batik to discover the characteristics of Sundanese batik;and investigating the relationship between the form and application of aesthetic elements in Sundanese batik on the one hand and Sundanese cultural identity on the other by considering intra-aesthetic and extra-aesthetic factors. To investigate the aesthetics of Sundanese batik and to identify characteristic Sundanese batik elements, a visual adaptation strategy was used. This approach was applied to batik ornaments from Sumedang, Garut, Tasikmalaya, and Ciamis. The conclusions are a specifically Sundanese aesthetic exists in Sundanese batik ornaments; and the relationship between the aesthetic elements applied in Sundanese batik, as derived from the results of this study, and Sundanese cultural identity can be explained by intra-aesthetic and extra-aesthetic factors, which can be seen as indicators of visual (cultural) adaptation by the Sundanese people.

Authors and Affiliations

Yan Yan Sunarya

Keywords

Related Articles

Issues and Problems in Malaysian Contemporary Visual Arts

In Malaysia, there is a question in term of intellectualism activities in the context of visual epistemology. Therefore, this paper revealed the problems that linger in the Malaysian contemporary visual art scene. In fac...

Development and Evaluation of A New Studio-Based Course on Critical Design

Although the last decade has seen critical design growing as an area of research, studies have rarely focused on how to teach it. Some design schools have established graduate programs and others have developed individua...

Ragam Hias “Sepak Bola” pada Pakaian Batik: Antara Komodifikasi dan Estetika

Dewasa ini, perkembangan batik semakin masif dalam keberadaannya. Di satu sisi eksistensinya semakin terjaga, di sisi lain terjadi perubahan pada batik. Dua tahun terakhir, Pakaian Batik dengan ragam hias sepak bola munc...

Translasi Pencak Silat Kedalam Film Animasi (Studi Kasus Film Kung Fu Panda)

Sebagai tradisi yang telah membudaya dari sejak zaman dahulu kala, pencak silat lahir sebagai benteng kekuatan pertahanan diri sekaligus menjadi seni yang memperkaya khazanah kebudayaan bangsa Indonesia. Namun, kuatnya t...

Kajian Perubahan Ruang Terbuka pada Kawasan Bersejarah dengan Metode Space Syntax (Studi kasus Kawasan Kampung Kapitan Palembang)

The understanding of void in solid-void theory cannot be ignored since urban open space is, in fact, the connector between existing buildings. Here also social interaction takes place between people living around that ur...

Download PDF file
  • EP ID EP540050
  • DOI 10.5614/j.vad.2018.10.1.3
  • Views 101
  • Downloads 0

How To Cite

Yan Yan Sunarya (2018). Adaptasi Unsur Estetik Sunda pada Wujud Ragam Hias Batik Sunda. Journal of Visual Art and Design, 10(1), 27-51. https://europub.co.uk/articles/-A-540050