An Academic facing the Women's art: José Francés and his artistic yearbook (1915-1926)
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2019, Vol 8, Issue 7
Abstract
The art critic and member of the Royal Academy of Fine Arts of San Fernando, José Frances, also known as “Silvio Lago”, wrote for 11 consecutive years The Artistic Year, an annual summary of the Spanish artistic events between 1915 and 1926, which came to be declared of public utility in 1924 and translated into several languages. In this almost encyclopedic work, the critic named 175 female active artists in Spain during the period indicated, but only wrote critical essays about 14 of them. This article aims to give to know the names of these artists, to reveal the reasons that favoured their public projection and to characterize the tone of José Francés’ criticism in the context of the controversy of the genres and the irruption of the female professional artist in Spain.
Authors and Affiliations
Isabel Rodrigo Villena
New contributions on the canvas "madonna of the Rosary” from the former Carmen calzado Convent of Ceville, attributed to Murillo
According to the artistic literature of the 18th/19th centuries, the "Madonna of the Rosary” picture that was located originally in the Carmen convent of Seville was realized by Murillo. After be exposing the canvas in t...
The conservation of architecture and cultural spaces at the beginning of the 21st century. New instruments for the recognition of the value and restoration of Italian cultural heritage.
In the prime twenty-first century, occurred in Italy the maturation of some recent interpretations of the Cesare Brandi´s definition about restoration, with the aim to develop the operational potential of his method, say...
10 years since a flamenco performance: Morente and Sonic Youth at the CA2M
The year 2010 was significant for flamenco: it enters at the Representative List of Intangible Cultural Heritage and Enrique Morente dies. Besides, we should add a singular fact, Morente performed with two members of Son...
The iconographic programme from the Basílica of Angustias: the pictorial decoration of the safe-keeping rooms (1739-1742)
In the first decades of the 18th Century wall paintings decoration was used in the most important buildings of Granada through the support of religious orders and nobility. In this atmosphere, Juan de Lizana decided to p...
The role of an art historian in cultural heritage intervention
Text of the conference given at the master's degree in Art History at the University of Cordoba on 20 October 2011.