Archiwum – medium pisania, przepisywania i odkrywania historii sztuki krajów peryferii

Journal Title: DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu - Year 2013, Vol 16, Issue 16

Abstract

Wojtek Moćko Archive - the medium of writing. Rewriting and exploring the history of art in the peripheral countries I describe the increasing role of archives as a metaphor and a real place in contemporary art and in the process of writing the narrative of the art history in the countries of periphery. The notion of periphery is used in relevance to the theory of the world – the system formed by Immanuel Wallerstein. The description of expansion of the archival way of thinking into the field of art is based on works by such theorists as: Daniel Roelstraete, Mark Godfrey and Hal Foster. There are two archive models from the Polish art history: “The Live Archive” of Foksal Gallery and the work of art made from its material – “Miejsce” (“Place”) by Rafał Jakubowicz and its consequences as well as the archive by two Polish artists: Zofia Kulik and Przemysław Kwiek, called “The Laboratory of Action, Documentation and Dissemination” and the work of art based on its content - “Z archiwum KwieKulik” (“From the Archive of KwieKulik”). I believe that artistic archives play very important role in the process of writing and interpreting the art history of peripheral countries, more important than in core countries, because the archives are one of the methods of emancipation and putting the peripheral narration into the global discourse on art history

Authors and Affiliations

Wojtek Moćko

Keywords

Related Articles

Poszukiwania formalne w kinie lat 50. i 60. Ponadczasowe wartości estetyki neorealizmu włoskiego i francuskiej Nowej Fali

Iwona Strzelewicz-Ziemiańska Dreams in visual arts. Dreams are dreams and there is nothing more real Formal search in the 1950’s and the 1960’s in Italian neo-realism and the French New Wave: their visual effects as time...

FILOZOFICZNE OBRAZOWANIE ŚMIERCI

Praca naukowa finansowana w ramach programu Ministra Nauki i Szkolnictwa Wyższego pod nazwą „Narodowy Program Rozwoju Humanistyki” w latach 2014–2019. Numer grantu: 0114/NPRH3/ H12/82/2014. The text is devoted to reflect...

Sztuka interaktywna vs. interakcje społeczne. Analiza strategii sztuki interaktywnej w świetle perspektyw interakcyjnych Ervinga Goffmana

Izabela Franckiewicz-Olczak Interactive Art vs. Social Interactions. Analysis of Interactive Art Strategies in the Light of Erving Goffman’s Interactional Perspectives Izabela Franckiewicz-Olczak analyzis interactive art...

Co starego w fotografii? Czyli kilka uwag o hamulcach praktyk wizualnych

Maciej Frąckowiak, Łukasz Rogowski What Is Old in Photography? Several Thought on the Limits of Visual Arts The paper is based on two research and artistic projects focusing on social aspects of photography. It describes...

Informel i sztuka mediów. Na przykładach twórczości Józefa Robakowskiego

In the second half of the 1950’s, abstract expressionist Informel became the leading trend in Polish art and it kept that position throughout the decade of the 1960’s. Informel lost its dominant position only the only un...

Download PDF file
  • EP ID EP75638
  • DOI -
  • Views 104
  • Downloads 0

How To Cite

Wojtek Moćko (2013). Archiwum – medium pisania, przepisywania i odkrywania historii sztuki krajów peryferii. DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu, 16(16), 296-306. https://europub.co.uk/articles/-A-75638