Attributed and unpublished works by Juan Bautista Vázquez El Viejo and his workshop in the Kingdom of Seville
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2015, Vol 4, Issue 1
Abstract
In this article several new works to be found in the old diocese of Seville, they are attributed to the sculptor Juan Bautista Vázquez “el Viejo” (for example, the images of Saint Sebastian which is located in the Church of San Francisco of Carmona and of Saint Anthony Abbot of Santa Maria Church in Carmona). These pieces show features which are similar to other known works of this sculptor. This article also studies the images of St. John the Evangelist in the Dulce Nombre Chapel of Seville. Although this work has been dealt with in previous articles, to date it has not been sufficiently studied. An analysis of three further works is also included, namely, Saint Anne, Saint Barbara and God the Father, because they are closely related to artists who moved in the same circle as Vasquez. Besides this comparative method, which has allowed me to identify the various works, I have also undertaken an analysis of different iconographies.
Authors and Affiliations
Jesús Porres Benavides
Keywords
Related Articles
- EP ID EP704511
- DOI https://doi.org/10.21071/ucoarte.v4i0.9476
- Views 125
- Downloads 0
The Main front of the convent of San Lorenzo of Montilla (Córdoba): New contribution on it's architectural definition and iconogra`phic analysis
The present work has as object the study of the main front of the disappeared convent of San Lorenzo of Montilla (Córdoba) from an architectural point of view and its artistic elements, corresponding to the Renaissance p...
Some remarks on Chinese aesthetics in modern literature. Echoes and reflections of the Dao
For a majority of academics on Chinese Cultureat least until the times of Dr. Sun Yat-Sen the issue of aesthetics presents itself as a labyrinth in the metaphoric and in the temporal sense as well.The Argentinian erudite...
The Fortunato Depero's advertising pavillions
The Fortunato Depero advertising pavilions were a synthesis of two research lines on Italian futurism. The first, referring to architecture, was based on the heritage of the “Manifesto dell'Architettura Futurista” (1914)...
The Plundering of Archbishop Luis Fernández de Córdova in 1625: the Principal Altarpiece of Guadalcázar Parish and the paintings of The Palace Archbishop of Seville
Arguments between Archbishop Luis Fernández de Córdoba’s heirs, led us to a thorough inventory of all his belongings shelves at his residence in Sevilla, to form the spoliation. The details contained in allows us to prov...
The conservation of architecture and cultural spaces at the beginning of the 21st century. New instruments for the recognition of the value and restoration of Italian cultural heritage.
In the prime twenty-first century, occurred in Italy the maturation of some recent interpretations of the Cesare Brandi´s definition about restoration, with the aim to develop the operational potential of his method, say...