Автомифология литературного дебюта: случай А.М. Ремизова

Abstract

The article is devoted to the basic motif of A.Remizov’s personal mythology – the motif of an unacknowledged artist. This mythological approach was developed by the writer in numerous autobiographical books written in emigration. Remizov’s memoirs about his contemporaries (sush as writers V. Korolenko, A. Chekhov, M. Gorky, L. Andreyev, V. Brusov, I. Bunin, I.Shmelyov) might be interpreted in mythological and psychopoetical perspectives – with a view to artist’s hidden creative impulses and repressed desires, i.e. with attention to his lifecreating strategies. To one of through internal motives of A.M. Remizov`s emigrant metaliterary narrations became the latent polemic dialogue with the senior generation of contemporaries. Designating the fidelity to symbolism, as though hinting for the future role of the chronicler, Remizov in an emigrant metaliterary discourse persistently realized mythogenic plot about ignoring his early modernist experiences by known writers-contemporaries. The psychological context of memoirs is connected partly with author’s jealousy: all the listed writers had a high publishing rating and fees in beginning of the 20th century. On A.M. Remizov`s creative life legend, he was pursued with ill fate: a birth not at will, was born rich, but has lost all his capital, arrest on student`s demonstration, a verdict “by mistake”, dispatch on the North, aversion “great writers”, impossibility to receive formation, slander from critics, accusation of plagiarism, etc. Thus, Remizov`s automyth about literary destiny is set by a leitmotif of ocurrence in the Russian literature “illegally”. Continuing Remizov`s metaphorical opposition, it is possible to tell, the writer tests insuperable irritation to all to that managed to enter into the literature through “main entrance”.

Authors and Affiliations

Н. Л. Блищ

Keywords

Related Articles

Practical and theoretical issues of modern terminology

The article deals with the questions of theory and practice of modern terminology. The author of the article investigates the main stages of origin of world terminology through formation of practical and theoretical term...

Метафоризація творів Григора Тютюнника

The most widely used in Grygir Tyutyunnik’s works are metaphors, which not only form the idea of the depicted, but also determine the reflection character of the latter in thought. Stylistically expressive in metaphorica...

Mandelstam le nietzschéen: une origine créative inattendue

The creation of Osip Mandelstam has a totally unexpected source: as Vladimir Nabokov who followed him in the St. Petersburg school of Prince Tenishev, this Jew, born in the Kingdom of Poland, is Nietzschean. As a teenage...

Маркери негативної та позитивної полярності у загальнопитальних

The article is dedicated to the study of the role of markers of positive and negative polarity in the change of the illocutionary force of proper (structures that provide the answer oui, non or their semantic analogues:...

Сюрреалистические эксперименты Дэвида Гаскойна

The article is dedicated to surrealistic works of the British poet David Gascoyne, study of the principles of surrealism in literature and linguistic aspects of surrealistic poetry written in English. The main credit for...

Download PDF file
  • EP ID EP434241
  • DOI 10.32342/2523-4463-2017-0-14-109-113
  • Views 120
  • Downloads 0

How To Cite

Н. Л. Блищ (2017). Автомифология литературного дебюта: случай А.М. Ремизова. Вісник Університету імені Альфреда Нобеля. Серія "Філологічні науки", 2(14), 109-113. https://europub.co.uk/articles/-A-434241