АВТОР – ЧИТАТЕЛЬ: РОЛЬ ЛИЧНОСТНОЙ ПОЗИЦИИ ВИДЕНИЯ МИРА В ДРАМАТУРГИИ НОВОГО ВРЕМЕНИ
Journal Title: Inskrypcje. Półrocznik - Year 2018, Vol 0, Issue 1
Abstract
The paper shows a peculiarity of the history of Russian drama: at the turn of the 19th century new dramatic forms appeared. Their creators are the authors of dramatic pictures and scenes that express their personal view of the world, which is in the process of formation and development. A new dramatic form organizes a dialogue between the author and the reader/viewer who bears individual points of view. The author "introduces" the reader/viewer into the world of the hero, who is the mediator of the dialogue, without forcing them to "withdraw" themselves from their modernity. The author also controls the viewer’s perception of the dramatic reality. This reality is an expression of the author's understanding the movement of the modern world.
Authors and Affiliations
Larisa Tyutelova
Keywords
Related Articles
- EP ID EP537481
- DOI 10.32017/ip2018.1.9
- Views 119
- Downloads 0
CZASOPRZESTRZEŃ LASU W NAJNOWSZEJ POLSKIEJ LITERATURZE DLA DZIECI
Forest chronotope in the latest Polish children's literature.Various variants of the forest chronotope in Polish children's literature of the 21st century were analysed. The author puts forward the...
ПОИСКИ ИНТЕЛЛИГЕНЦИЕЙ «ОБЩЕЙ ИДЕИ» И ЦЕЛЬНОГО МИРОВОЗЗРЕНИЯ В «СКУЧНОЙ ИСТОРИИ» А.П. ЧЕХОВА
The article deals with the problem of lack of spirituality, spiritual existence raised by A. P. Chekhov in the everyday life of Russian intellectuals in the late 19th –early 20th century.
STEPPE AS A POSITIONAL MASTERPIECE. REGARDING CHEKHOV’S INNOVATIVE STYLE
The article deals with the concept of the positional style as applied to Chekhov’s works in general and his story, Steppe, in particular. The main goal is to show (1) how one can benefit from applying the positional meth...
‘FOUR INTELLECTUAL AND CULTURED WOMEN’ IN THE PLAY THREE SISTERS
In this article the reasons of impossibility of mutual understanding between sisters Prozorovy and their sister-in-law Natasha in A.P. Chekhov’s play Three sisters are considered. The sisters and Natasha are representati...
RODZAJE PRZESTRZENI LEŚNEJ W LITERATURZE DZIECIĘCEJ I MŁODZIEŻOWEJ
The subject of interest is the forest space. Simultaneously, there is a need to remember that a tree (forest) has an extensive and deep symbolic meaning in cultural sources (the Bible and mytho...