This paper traces the story of Aladdin as a transmedial phenomenon in late nineteenth‑century culture. It starts off from an unidentified French series of scenes that were screened in the Netherlands in 1898, before outl...
The article is a consideration of differences between block thinking (blocks, compositions) and line thinking (movement, knots). It is also an attempt to describe the experience of working with a robot as a new project p...
The paper is an analysis of an intertextual relationship between “The Landscape Chamber”, a story by Sarah Orne Jewett of 1887, and Poe’s “Fall of the House of Usher” in terms of Gérard Genette’s theory of the literary p...
The new within the old, the old within the new: transmediality and the introduction of the kinematograph in the case of Aladinou la lampemerveilleuse (1898)
This paper traces the story of Aladdin as a transmedial phenomenon in late nineteenth‑century culture. It starts off from an unidentified French series of scenes that were screened in the Netherlands in 1898, before outl...
Jak człowiek stworzył człowieka. Geneza zjawiska sztucznych ludzi w kulturze
Plątanina linii, blokowość i linearność
The article is a consideration of differences between block thinking (blocks, compositions) and line thinking (movement, knots). It is also an attempt to describe the experience of working with a robot as a new project p...
The Rise of the House of Usher: The Landscape Chamber by Sarah Orne Jewett as a Textual Palimpsest
The paper is an analysis of an intertextual relationship between “The Landscape Chamber”, a story by Sarah Orne Jewett of 1887, and Poe’s “Fall of the House of Usher” in terms of Gérard Genette’s theory of the literary p...
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