CHAMBER-VOCAL FORTEPIAN WORKS OF DOROMANTIC PERIOD: HISTORICAL EVOLUTION
Journal Title: Молодий вчений - Year 2018, Vol 4, Issue 56
Abstract
The article analyzes the historical and cultural basis of the formation of chamber-vocal piano works. It is indicated that the combination of vocal and instrumental origins has an extremely long history. The rather long vocal period was given a priority, compared with the instruments that accompanied it. The formation of the duo of voice and piano occurs in the XVIII century, when not only this key instrument arises, but also the preconditions for another interpretation of it are laid. Compared to the pioneers' predecessors, who played a more secondary role in the musical work, there is a parity of interaction between the voice and the instrument. From now on, in the piano party in the works of the Viennese classicists, it is possible to create the necessary imagery, psychological adjustment.
Authors and Affiliations
G. G. Vasilieva, I. O. Yuldasheva, V. V. Zorin
Keywords
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