Conference “‘Eternal’ Plots and Images in Literature and Art of Russian Modernism" (November 16–17, IWL RAS)
Journal Title: Studia Litterarum - Year 2017, Vol 2, Issue 3
Abstract
No Abstract
Authors and Affiliations
S. A. Serjogina
No Abstract
S. A. Serjogina
YESENIN’S DRAWINGS AS PART OF THE “REAL” COMMENTARY TO HIS WORKS
For the first time, the paper discusses the drawings by Yesenin in his article “Mary’s Keys” (1918) and on the margins of the autograph of the dramatic poem Pugachev (1921) considering them as part of the commentary on...
GOGOL AND THE WESTERN SLAVOPHILIA IN CRITICAL PERSPECTIVE
The essay examines Gogol’s heritage from a new and somewhat “unusual” perspective: the writer is seen as one of the main Russian ideologists of the Slavic unity. Gogol’s views are therefore placed in the context of dif...
“THE VERSE ABOUT THE HOLY MOUNTAIN” BY VYACHESLAV IVANOV: A CLOSE READING. FIRST ESSAY
In the course of his literary career, Vyacheslav Ivanov repeatedly turned to the genre of spiritual verse (dukhovnyi stikh). This genre implies a specifc poetic form, certain stylistic properties, performance, and circ...
THE STRUCTURE OF THE FANTÔMAS NOVEL SERIES BY PIERRE SOUVESTRE AND MARCEL ALLAIN AND THE PROBLEM OF SERIALITY IN POPULAR LITERATURE
The essay examines the structure of a 32-volume series of Fantômas novels created by Pierre Souvestre and Marcel Allain; it traces the origins and development of the serial genre and generic novelties related to serial...
Gorky and Moscow art theatre: selective affinities
Gorky started his literary career as a playwright at the Moscow Art Theatre. He wrote his first plays for its troupe in competition with Chekhov whose plays were performed there during the same period. Thus, two Moscow...