Creative Process in the Design and Creation of Textile Manufacture

Journal Title: Latest Trends in Textile and Fashion Designing - Year 2018, Vol 1, Issue 2

Abstract

Man has his creative manifestations through his individual aspirations, thoughts and idealization. The need is a motivating factor that drives the search for knowledge, problem solving and satisfaction, Santis [1]. For Lobach [2] "The conduct of the human being is also driven by multiple and varied needs. The emergence of needs is not always logical, especially when other activities or processes have occasional preference. "Necessity seeks satisfaction; aspiration is the spontaneous will to obtain something that comes from idea or visualization. The aspiration consists in the desire to obtain something that can be reached or not. Needs and aspirations accompany the evolution of technology, information tools and economic development. Lobach [2] states that design consists of a systematized design, plan or method that includes problem solving incorporating ideas, innovation, sketching, samples, models to make concrete the solution found. Over the centuries, the needs in its evolution have been accompanied by the development of instruments, methods and systems. The constant evolution through research and events show that innovative creativity has played a key role. The development of the human creative process has also been marked by various frustrations, problems in creativity and with innovation; these problems are constantly reported by various scholars. Several researchers and researchers [2] have already been affected by creative inertia, difficulty in exposing ideas, fears, and lack of innovation or even problems that seemed unsolvable. Even so, the creative process has become an important tool for resource development. And the stimulation and organization of the creative process is being studied in theories, techniques and tools such as: Design Thinking, Design Methodology, and Inventive Problem Solving Theory. These are applied for the development of textile products. Product Development Ostrower [3] states that the ability to understand, assimilate, configure, and signify is the creative act. Creating is a way of establishing a new relationship between the human mind and the object in order to understand meaning or to redefine (giving a new meaning, a new practice, the ability to perceive an object through a different vision). Already the creative process derives from the structuring of cognition (knowledge of facts), intelligence (human characteristic composed of logical thinking, communication, knowledge, sensibility, problem solving, emotional control, etc.), creation ability (giving meaning to something or something) and innovation (creating something unknown). To meet the new type of consumer coming from social and communication changes, manufacturers seek to align existing needs with functionality and aesthetics by creating values that can be applied to technological fabrics. Barbará [4] calls the process a set of ordered and integrated actions for a specific productive purpose that at the end of the cycle generate products, services or information. In the process of manufacturing with synthetic fibers began the decade of 30, the developed fibers become part of the manufacture of fabrics and clothing. To give a small notion of what we call fiber, I find it interesting to contextualize the historical beginning, recalling some important facts. In this sense, the textile manufacturing manufacture uses the fibers to compose the yarn, and the woven yarn becomes fabric and various stamping and dyeing techniques. The textile production manufacture is divided into three cores: the yarn manufacturing, the fabric manufacture and the confection. According to Sanches [5] the fiber consists of the smallest element of the composition of the fabric in any natural or manufactured substance that has suitable characteristics that allow its processing. Being, the smallest component of hairy nature, which can be extracted or separated from a tissue.

Authors and Affiliations

Sandra Helena Da Siva de Santis

Keywords

Related Articles

The Application Wearable Thermal Textile Technology in Thermal-Protection Applications

With the capability of the human to survive in various extreme environments is growing stronger and stronger, the desire to act and move freely in chill condition is growing as well. Although the surviving ability in the...

Future Prospect for Sustainable Luxury Textiles from Pineapple Leaf Fibre - An Agro Waste

The treasure of Major natural fibres belongs to cotton, jute, wool, silk, flax, sisal and Manila hemp which are extensively used across the globe. Besides, a large number of fibres grown in lesser quantities throughout t...

Creative Process in the Design and Creation of Textile Manufacture

Man has his creative manifestations through his individual aspirations, thoughts and idealization. The need is a motivating factor that drives the search for knowledge, problem solving and satisfaction, Santis [1]. For L...

The Definition Technological Parametres of One Chamber Two Saw Cylinders Gin

The theoretical studies, it was justified to create a new design for two-cylinder gin. The main working body of the new design is an additional saw cylinder, which allows uniform rotation of the raw roller of productivit...

Future Trends in Production and Consumption in Textile and Fashion Design: The Fourth Industrial Revolution

Designers create products, services and systems to fulfill the society’s needs and desires. The adoption of Information Technology (IT) has changed the way designers develop new products. The collaborative work environme...

Download PDF file
  • EP ID EP607663
  • DOI 10.32474/LTTFD.2018.01.000109
  • Views 174
  • Downloads 0

How To Cite

Sandra Helena Da Siva de Santis (2018). Creative Process in the Design and Creation of Textile Manufacture. Latest Trends in Textile and Fashion Designing, 1(2), 40-42. https://europub.co.uk/articles/-A-607663