DIALOGUE AND DIALOGISM IN THE NOVELS OF CRÉBILLON-FILS

Journal Title: Studia Litterarum - Year 2016, Vol 1, Issue 1

Abstract

Conversation was highly relevant for the 17th and 18th century French aristocratic culture; a simple talk quickly grew into a “real” social ritual with its inner structure and “poetics.” Likewise, it influenced French literature that used a dialogue as a mode of narration, a way of expressing historical and philosophical ideas. Under the influence of the parlor culture, there developed a widespread genre of a novel-dialogue which origin may be traced back to the ancient tradition including the works of Plato who maintained ontological priority of the dialogue; in the dialogue, many philosophers have seen conditions necessary for the appearance of the individual and subjective conceptualization (“I” needs “You” for the sense of self). Dialogue is the form of narration in the novels by Crébillon-fls (1707–1777) La Nuit et le moment ou les matines de Cythère: dialogue (1755) and Le Hasard du coin du feu. Dialogue moral (1763). Both novels represent high society and focus mainly on the life of “libertines” who practice the principles of freedom of body and spirit yet at the same time are constrained by dominant behavior rules including the rules of conversation. Crébillon is skillfully using a widespread conversational form for popularizing the ideas of sensualism and libertinage. Also, Crébillon is employing dialogue as a device to make his works diverse and psychologically deep (cf.: a dialogue of a character with himself as he hovers between opinions; ongoing dialogue of the author with the reader; dialogue with other authors by direct and hidden quotes from their work; references to the author’s own works).

Authors and Affiliations

Veronika D. Altashina

Keywords

Related Articles

Alexander Pushkin in the 19 th Century Italian Drama

The article deals with the problem of Alexander Pushkin’s reception in the 19 th century Italy. In the first half of the century, during the years of national liberation movement, Italian intellectuals were concerned wit...

MEDIEVAL THEATER AS MEDIUM: A SURVEY IN MEDIA ARCHAEOLOGY

Media Archaeology is an emerging methodology that analyses media as modes of communication shaped by scientific innovations, cultural and social values, and imaginary representations. It also questions evolutions and r...

ON THE VISUAL ORIGINS OF ONE FOLKLORE MOTIF. THE TOMB IN THE CHURCH

The article examines the influence of Christian iconography on poetic images of Russian, Ukrainian, and Belorussian spiritual verses. It claims that the icons that symbolize the Passion of Jesus Christ, both in the West...

Musical Outlook in Alexey Losev’s Novel The Woman-Thinker

This article discusses the role of music in the context of A.F. Losev’s philosophical prose of the 1930’s and 1940’s. Describing the key ideas of Losev’s philosophy of music, the essay presents Losev as both the writer...

NATIONAL SPECIFICITY AND ARTISTIC VALUE: AT THE CROSSROADS OF ETHNOCULTURAL DISCOURSE AND AXIOLOGICAL CRITIQUE

The article discusses correlation of ethnic, cultural, and axiological approaches as a methodologically relevant problem in literary studies. The weakening interest in the structural and semantic complexity of the lite...

Download PDF file
  • EP ID EP26083
  • DOI 10.22455/ 2500-4247-2016-1-1-2-140-152
  • Views 688
  • Downloads 20

How To Cite

Veronika D. Altashina (2016). DIALOGUE AND DIALOGISM IN THE NOVELS OF CRÉBILLON-FILS. Studia Litterarum, 1(1), -. https://europub.co.uk/articles/-A-26083