D’une hétérotopie à l’autre où le vagabondage au féminin (Jean Echenoz, Un an)
Journal Title: Quêtes littéraires - Year 2014, Vol 0, Issue 4
Abstract
"From one Heterotopia to another or the Vagrancy at the Feminine Gender (Jean Echenoz, One Year)" ABSTRACT: Jean Echenoz’s text presents Victoria’s story who runs away from Paris, believing that she has killed her lover. Her straying (that embraces the form of a relative deterritorialization in a Deleuzian sense) lasts one year and it is built up geographically upon a descent (more or less symbolical) to the South of France and, after that, she comes back to Paris and encloses the spatial and textual curl. From a spatial point of view, she turns into a heterotopia (Foucault) every place where she is located, fact that reflects her incapability of constituting a personal, intimate space. The railway stations, the trains, the hotels, the improvised houses of those with no fixed abode are turning, according to Marc Augé’s terminology, into a « non-lieux » that excludes human being. Her vagrancy is characterized through a continuous flight from police and people and through a continuous decrease of her standard of living and dignity. It’s not about a quest of oneself, but about a loss of oneself. Urged by a strong feeling of culpability, her vagrancy is a self-punishment that comes to an end when the concerns of her problems disappear and she finds out that her lover is alive.
Authors and Affiliations
Simona Jişa
Le parlé-chanté dans Phèdre de Jean Racine et Partage de midi de Paul Claudel
"The « parlé-chanté » in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel" ABSTRACT: In this article we will seek to answer how, in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel, the « parlé-chanté »...
Les chroniques zoliennes – hybrides textuelles
"Emile Zola’s chronicles as textual hybrids" ABSTRACT: The journalistic part of Emile Zola’s work is often neglected by critics who usually focus on the writer’s novels and other texts of fiction. Nonetheless, these writ...
Le sablier, la vanité et le sermon protestant français au XVIIe siècle
Résumé: Emblématique du temps qui passe, le sablier est un élément iconique majeur des tableaux de Vanités. Il est aussi, au XVIIe siècle, l’objet qui figure sur la chaire du pasteur protestant qui, dans le temps imparti...
L’hybridité de la lettre galante, ou la transgression innovante
"The gallant letter, or the fruitful abundance of transgression" ABSTRACT: This essay concentrates on early modern expressions of literary hybridity in the 17th-century gallant letters of Vincent Voiture (1597-1648), Ch...
Réécrire Don Juan au XXe siècle : entre hybridité et intermédialité, nouveaux modes d’exploitation d’un mythe
"Rewriting of Don Juan in the XXth century: between hybridity and intermediality, the new modes of exploitation of a myth" ABSTRACT: The contemporary rewritings of Don Juan’s myth highlight several forms of hybridity an...