EMBLEMS AS HIEROGLYPHS OF THE IMAGINATION. THE BLACK SQUARE BY KAZIMIR MALEVICH
Journal Title: Studia Humanistyczne AGH - Year 2017, Vol 16, Issue 4
Abstract
The article assumes a type of comparative-sensual experiment based on the concept of the esoteric emblem, and the form of artistic expression which is ‘The Black Square’ by Kazimir Malevich. By applying one concept to another, a positive result is obtained, which suggests another way of interpreting this suprematic painting, as an imaginary experience. Keywords:
Authors and Affiliations
Diana Oboleńska
TRANSNARODOWOŚĆ W PRZESTRZENI DOMOWEJ POLSKICH RODZIN MIGRACYJNYCH W NORWEGII
TRANSNATIONAL HOMES OF POLISH MIGRANT FAMILIES IN NORWAY An already complex notion of home requires inclusion of a wide array of factors that determine what home is and is not. Understanding home necessitates crossing mu...
ARDUINO – EMANATION OF THE CULTURE OF PROSUMPTION AND PARTICIPATION. AN ANALYSIS OF THE RELATIONSHIPS AMONG USERS, OBJECTS AND TECHNOLOGY
The article aims at defining the specificity of Arduino technology from the perspective of the culture in which it has been developing, i.e. on the border of the culture of prosumption and participation. Arduino’s develo...
Słowo ciałem się stało, czyli jak pisanie o patologii patologią trąci.
Zapobieganie patologiom w organizacji. Rola funkcji personalnych, red. nauk. Dagmara Lewicka, Warszawa: Wydawnictwo Naukowe PWN, 2014
Piotr Górski
Recenzja książki: Jonathan Crary. 2015. 27/7. Późny kapitalizm i koniec snu. Kraków : Wydawnictwo Karakter.
ALTERNATYWIZM, DYSJUNKTYWIZM I PLURALIZM DOŚWIADCZENIOWY
The claim currently known as “disjunctivism” is usually interpreted in terms of exclusive disjunction. However, it can be also explicated through the lens of alternative denial. The aim of this paper is to show that the...