ЕМПАТІЙНІ ВИТОКИ СТВОРЕННЯ ТА СПРИЙНЯТТЯ ХУДОЖНЬОГО ОБРАЗУ
Journal Title: Гуманітарний часопис - Year 2015, Vol 1, Issue 1
Abstract
Matyukh T.M. EMPATHY AS SOURCE OF CREATION AND PERCEPTION OF AN ARTISTIC IMAGE The article analyzes the art image as meaningful, passed through the prism of consciousness creator reality. It is noted that the art image is the image of art, concrete sensuous way of understanding reality in art from the standpoint of a certain ideology, values and ideals. It is called the art of living cell. In the course of human creative activity cognizes a world and herself. As a result of this activity through analysis, synthesis, comparison, abstraction and generalization formed art image, who later played author in the artwork. He is not simply reflects reality, and transmits a set of life phenomena, are summarized in something essential and eternal. This comprehended, passed through the prism of consciousness creator reality. The author argues that the art image stands unique shape transformation of human practice in artistic reality, a way of artistic reconstruction of reality. Determine empathy and how the ability of the individual to penetrate into the internal state of another, and as a form of artistic knowledge. This makes it possible to assert that there is a separate type of artistic empathy, which is the ability to be used in specific art image (its maximum level – so-called Stendhal syndrome). Because any work of art is a form of mediation of interpersonal communication, it includes worked in direct contact people mechanisms of objectification emotionally sensual experiences. Based on the identification of empathy provides a number of functions: co-creation, participation, empathy, imitation, forecasting, and others. It can to impersonate a specific ability be used in art image. Accordingly, art image, is value aspects of life, which is metaphorically described as "humanized" world. Through internal communication that exists between the experiences of the author and external expression in the form of their work through the process of incorporating associative composition abstract form of expression in the mind of the recipient’s work gained some specificity. Specific emotional and sensory play experience is achieved through the active use of the internal form of art. Artistic image as a structural component of artistic reality is holistic form of human experience, a certain cognition life world is seeing a holistic experience. A necessary condition for the realization of the artistic image is a personal experience (VA Malakhov). Attributive sign art image is an active process of co-creation, empathy subject and object, dialectical development of ideas, ideals, emotions, feelings. This is a spontaneous process that is not without the will, desire and conscious human activity, perceiving using fantasy and imagination completes the artistic world of the author’s image. This is the creative process in which a person using empathy transferred to the artist created the world artistic reality. The author notes that to attain the necessary artistic work other than logical and conceptual, that means empathy knowledge. Without it impossible to perceive the complex composition of the novel. As work embodies and conveys mainly emotional information, the path to understanding artistic content of the work is through his experiences, facilitated the presence of the human psyche archetypal elements. Empathy is not nothing but a rod that combines a palette of human reactions. Perceiving a work of art, a man enters into communion characters, imposing on him a life experience, it becomes a virtual participant, taking a personal position. It is not a passive viewer of art, creating art world, acts as a co-author of the work. The author concludes that the creation of an artistic image through empathy – is the process of establishing itself in another. Accordingly, the process of perception of the image - becoming more confidence. Reception is full artistic image search engine built on associations, memories, experiences, reflections, is co-creation that requires aesthetic and moral effort. And the creation and co-creation – filled with empathy and without it possible. Empathy is a necessary experience of the subject of art and one of the conditions of art, through it you can analyze and reproduce the main stages of the artistic process.
Authors and Affiliations
Тамара Матюх
Keywords
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