End of the Line—A Play in One Act
Journal Title: Religions - Year 2013, Vol 4, Issue 3
Abstract
In this short play, the playwright drew on her experience as a voiceover talent for bus transportation and Global Positioning Systems. The drama humanizes a voice we love to hate, and subsequently adds layers of back-story and meaning to a deceptively slight one-act, which begins in one reality, and ends in another.
Authors and Affiliations
Irene Ziegler
Keywords
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- DOI https://doi.org/10.3390/rel4030351
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