Estetyka rewolucyjna czy nowa forma nacjonalizmu? Sztuka ulicy w Kijowie w latach 2013–2016

Abstract

From the very beginning the revolution in Maydan in Ukraine was marked by artistic activities, which were slowly changing into an aesthetic, political, social and personal message. Art became an individual way to express resistance against Russia, an attempt to find identity and a way to fight against pessimism and hopelessness. It was also wisely used to build the certain image of the revolution and the protesters. Street art created during the revolution in 2013 and 2014 came out with the specific iconography. The article is research on that iconography, as well as the latter phenomenon in Kiev – the continuation of the revolutionary street art in form of big scale murals.

Authors and Affiliations

Ewa Sułek

Keywords

Related Articles

Pustostan jako katalizator działań artystycznych w przestrzeni publicznej 
na przykładzie Łodzi po 2000 roku

Uninhabited building can be recognize as a symptom of ongoing changes. Emptiness of large architectural structures in the city is like a kind of state of emergency, and sign of crisis and decay. From the other hand uninh...

Guerrilla Girls: Invisible Sex in the Field of Art

The article focuses on an artist and activist collective Guerrilla Girls, created in 1985 in order to fight discrimination in the art field. It presents the group’s strategies, using selected actions as examples. The art...

Estetyczne aspekty zdeklasowanej architektury przemysłowej

The article covers a matter of aesthetic appreciation of industrial ruins. Depanding on examples coming from Polish background (Silesia region) author follows an idea that an industrial ruins can be a source of a specifi...

Artiste Anonyme / Anonymous Conceptual Artist / Umjetnik u krizi: Goran Trbuljak’s Names and Namelessness

of the status of the figure of the artist and the institution of the exhibition. This article focuses on the centrality of various forms of self-concealment, primarily anonymity and the use of pseudonyms, in Trbuljak’s a...

Instructive Invisibility: Paradoxical Sub-Pedagogy of Janusz Orbitowski

The text focuses on Janusz Orbitowski, a Krakow-based painter of geometric abstraction, and on his teaching methods at the Academy of Fine Arts. This discussion is combined with interpretation of his works. Orbitowski’s...

Download PDF file
  • EP ID EP292183
  • DOI 10.24917/20813325.12.6
  • Views 64
  • Downloads 0

How To Cite

Ewa Sułek (2017). Estetyka rewolucyjna czy nowa forma nacjonalizmu? Sztuka ulicy w Kijowie w latach 2013–2016. Annales Universitatis Pedagogicae Cracoviensis. Studia de Arte et Educatione, 0(243), 68-78. https://europub.co.uk/articles/-A-292183