EVOLUTION OF MUSICAL FOLKLORE IN THE TERRITORY OF UKRAINE IN THE IV MILLENNIUM BC – MID. I MILLENNIUM AD.
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 2
Abstract
The purpose of the article is to study the process of musical folklore evolution in the territory of Ukraine in the IV millennium BC – mid. I millennium AD. Methodology of research. The theoretical basis of our research is an understanding of the evolution of musical folklore as a continuous process, which is accompanied by the transformation of such characteristic features as, in particular, the gender composition and the number of performers, the dynamics and the nature of the melody. During the research, the following methods were used: the historiographical analysis (was used to distinguish the stages of the evolution of musical folklore), historical and comparative methods (for determining the characteristic features of musical folklore of each period). The scientific novelty of our research is the synthesis and systematization of historical data on the evolution of musical folklore in the territory of modern Ukraine with the definition of the main features peculiar to separate periods within the IV mill. BC – the first half of I century AD. Conclusions. During the IV millennium BC – the half of I century AD, the evolution of musical folklore took place in the direction of a gradual separation from the immediate ritual. The transformation of genre dominants has led to a change in the gender composition of performers: from the fundamental role of women in the ritual folklore of the Eneolithic to the domination of male performing in the following historical epochs. With the appearance in the territory of Ukraine of the ScythianSarmatian tribes the genre spectrum expanded: there were hymns and vivats accompanied by instrumental accompaniment. The gradual departure from the cultural ritual contributed to the growth of the number of performers, in particular in the musical folklore of the Germanic tribes. The epic folklore, in which a song was not identified with the ritual, became also important
Authors and Affiliations
Nataliia Pyzhianova
Keywords
Related Articles
- EP ID EP624181
- DOI -
- Views 96
- Downloads 0
ABOUT THE COMPOSITIONAL PECULIARITIES OF THE SECULAR MINIATURES IN VOLODYMYR ZYBITSKYI’S CHORAL OEUVRE
The purpose of the work is to find out the peculiarities of the compositional structure of choral miniatures of the secular subject matter in Volodymyr Zybitskyi’s works. The methodology of the research is based on the h...
Holiday as a social and artistic phenomenon: the experience of working out the problem
Purpose of the article: the systematization of existing works, the comprehension of the cultural and historical dynamics of the phenomenon of mass holidays in the context of the issue of the integrity of the holiday as a...
THE ROLE OF UKRAINIAN MUSIC AND DRAMA THEATRE IN PRESERVATION AND DEVELOPMENT OF CULTURAL TRADITIONS OF THE UKRAINIAN NATION OF THE LAST THIRD OF THE XIX – BEGINNING OF THE XX CENTURY
The purpose of the work is to analyze the role of the Ukrainian music and drama theatre in preserving and developing the cultural traditions of the Ukrainian nation in the last third of the XIX – beginning of XX century....
INNOVATION MODEL OF MODERN VOCATIONAL MUSIC EDUCATION
The purpose of this scientific exploration is to implement innovative projects of art schools that necessarily provide highly trained professionals who in the future will increase the intellectual potential of the state....
Reception of the poem «Do not sing, beauties with me» O.S. Pushkin in the music of the XIX and XX centuries
The purpose of article is to consider musical interpretations of A.S. Pushkin «Do not sing, a beauty with me» through the prism of the receptive approach, revealing the specifics of the implementation of this poem in sel...