"ФАТУМ" ЯК ОЗНАКА ПЕРСОНІФІКАЦІЇ СИМФОНІЧНОЇ АНТИТЕЗИ В ТВОРЧОСТІ П. ЧАЙКОВСЬКОГО

Journal Title: World Science - Year 2017, Vol 1, Issue 8

Abstract

Attempts to decipher the meaning of the conflicts antithesis of the late symphonic works by P. Tchaikovsky took place in many scientific researches of domestic and foreign scientists. They contributed to the definition of ways of inculcation of contradictions and the parameters of the information contained therein. The creativity of P. Tchaikovsky still compels to affirm or rethink the views and concepts of ways of composer's self-expression. His works were studied by domestic and foreign scholars: analysis of the connection of creative results with his life, the psychology of the composer's process, analyzed the peculiarities of forming and instrumentation, melodies and harmony. Today it is relevant to study the essence of his mature symphonism as a dramatic principle of the disclosure of artistic content, the cultural context of understanding the antithesis conflict in the symphonies of the late period of creativity.

Authors and Affiliations

О. І. Козак

Keywords

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  • EP ID EP436187
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How To Cite

О. І. Козак (2017). "ФАТУМ" ЯК ОЗНАКА ПЕРСОНІФІКАЦІЇ СИМФОНІЧНОЇ АНТИТЕЗИ В ТВОРЧОСТІ П. ЧАЙКОВСЬКОГО. World Science, 1(8), 28-32. https://europub.co.uk/articles/-A-436187