Feliks Lachowicz (1894–1941?) Hasło do Słownika schulzowskiego
Journal Title: Schulz/Forum - Year 2015, Vol 6, Issue 6
Abstract
Amateur painter, draughtsman, and sculptor, born in Drogobych. Fought in World War I, as a Russian POW sent to Siberia. Having returned to Poland, worked at “Galicja” refinery in Drogobych. In 1940, arrested by the NKVD and sentenced to 5 years in concentration camp. The circumstances of his death remain unknown. His most important works are two series of graphics showing his hometown: History of the Town of Drogobych – For the Glory of Motherland and Hope of the Drogobych Burghers (1933) and Urycz in Legends. 14 Miniatures (1938). Lachowicz created in his works a mythology of the town according to his own vision of the past. His art does not reach for the new, but returns to history to connect to the mystery of the bygone and the primeval. At this point, his and Schulz’s artistic paths converge.
Authors and Affiliations
Piotr Sitkiewicz
„Jakiś psychiatra w Nowym Jorku”
In Strzępy wspomnień. Przyczynek do biografii zewnętrznej Brunona Schulza, Regina Silberner writes that the Polish-Jewish fiction writer Bruno Schulz exchanged correspondence with some psychiatrist from New York. The pap...
Eduard Fuchs i Bruno Schulz
In 1913, the Albert Langen publishing house in Munich published two-volume work, Die Weiberherrschaft in der Geschichte der Menschheit (The Rule of Women in the History of Mankind). Compiling 665 reproductions of drawing...
Czytanie bibliografii
The author is interested in the results of reading a writer’s bibliography. She approached a chronological record of publications in an unusual way. As a rule, bibliographies are made for those readers of a given writer’...
Mitomani (nie)rzeczywistości. Bruno Schulz i Max Blecher – próba porównania
The author takes into consideration themes that are common in the work of two Central European writers: Bruno Schulz and Max Blecher. The list of related topics includes the mythology of illness and death, a strong empha...
Schulz dadaistą? Parodystyczna krytyka kultury europejskiej w opowiadaniu Brunona Schulza „Dodo”
The essay is an interpretation of a story from The Sanatorium under the Sign of an Hourglass. Its most important frame of reference is the history of European culture, since apparently Schulz parodied in his text two key...