The article analyzes the various ways in which Godfrey Reggio’s experimental
documentary films, Koyaanisqatsi (1982), Powaqqatsi (1988) and Naqoyqatsi (2002), tend to incorporate narrative and visual conventions traditio...
Confronting the second wave of feminism with postfeminism allows us to show
the change in the perception of art and the position of women in the art world. The activists of
the 1970s aroused extreme emotions in the publi...
The article attempts to approximate the notions of “visual culture”, “visual communication” and “data visualization”, which appeared with the pictorial and the iconic turns. The pictorial turn raised the picture to the r...
According to the widespread opinion, contemporary art does not seek to express
transcendent reality. Questioning this view, the author of the article examines two aspects of
the problem. The first concerns the use of Chr...
The exhibition Surréalisme en 1947, organised in Paris (Galerie Maeght) by André
Breton and Marcel Duchamp was an attempt to consolidate and reorient the Surrealist movement
in the post-war reality. According to the tren...
Speeding Slowness: Neo-Modern Contemplative and Sublime Cinema Aesthetics in Godfrey Reggio’s Qatsi Trilogy
The article analyzes the various ways in which Godfrey Reggio’s experimental documentary films, Koyaanisqatsi (1982), Powaqqatsi (1988) and Naqoyqatsi (2002), tend to incorporate narrative and visual conventions traditio...
The Art of Women – form the Margin to the Mainstream
Confronting the second wave of feminism with postfeminism allows us to show the change in the perception of art and the position of women in the art world. The activists of the 1970s aroused extreme emotions in the publi...
From visual culture to visual communication. The pictorial and iconic turn in contemporary culture
The article attempts to approximate the notions of “visual culture”, “visual communication” and “data visualization”, which appeared with the pictorial and the iconic turns. The pictorial turn raised the picture to the r...
The margins of transcendence in contemporary art
According to the widespread opinion, contemporary art does not seek to express transcendent reality. Questioning this view, the author of the article examines two aspects of the problem. The first concerns the use of Chr...
Surréalisme en 1947 – occultism and the post-war marginalisation of Surrealism
The exhibition Surréalisme en 1947, organised in Paris (Galerie Maeght) by André Breton and Marcel Duchamp was an attempt to consolidate and reorient the Surrealist movement in the post-war reality. According to the tren...