From the Sacred Sound of the Conch Shell to the Cemetery Dance: Reimagining an Africana Festival Created in a Southern Appalachian City
Journal Title: Religions - Year 2017, Vol 8, Issue 8
Abstract
To contemplate African American experience and its many racialized contours is to invoke a tensive quandary concerning the reconstruction of African American cultural identity in a dynamic network of historically assailed African diasporas. Utilizing a transdisciplinary approach that deploys historical analysis as well as cross-cultural and epistemological reflection, this article gestures in such a reconstructive direction from the local vantage point of Asheville, North Carolina’s “African and Caribbean” Goombay Festival. One detects in the festival an exotifying, ambiguously celebratory quality that deprioritizes Affrilachian cultural memory in southern Appalachia in favor of consumable public entertainment. The ensuing argument culminates in a preliminary epistemological reimagining of the Asheville Goombay Festival by way of constructive intercourse with the ancestral spirit-based African Jamaican ritual institution of Gumbay Play, an institution that facilitates processes of identity formation through mnemonically engaged ritual performance. Further, it is argued that this reimagining can amplify the ancestral mnemonic potential of Goombay in Asheville to incorporate more fully the varied Affrilachian lifeworlds of western North Carolina, thereby making possible a reexamination of African American cultural identity in Asheville capable of producing substantive responses to the epistemological challenge of Affrilachian cultural identity formation within western North Carolina’s greater social landscape.
Authors and Affiliations
Marcus L. Harvey
Keywords
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- EP ID EP25743
- DOI https://doi.org/10.3390/rel8080149
- Views 303
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