Geopolitics of Numerical Space and the Rule of Algorithms
Journal Title: In Medias Res - Year 2019, Vol 8, Issue 15
Abstract
The numerical media can simulate all the details of other media by accumulating all the previous classical media functions (television, typewriter, etc.) and acting in this direction they captured so far unprecedented spaces of representation and expression. Due to such capacity for digital programming through modular structures of all the previous functions of the classical mass media, the numerical media succeed through the network reconfiguration and cultural transcoding in presenting a retrospective picture of the world and culture in the history of mankind. Inter-connectivity between the numerical media and internet networks implies a planetary virtual network that some compare with “the world’s collective cortex”. However, given the increasing density and complexity, the numerical media have become more hermetical and more complex in their deep functioning. The gradual autonomy and emancipation of its creators and operators opens the process of creating a mysterious artificial intelligence as an introduction to the new reign of algorithms. It is an introduction to the new virtual geopolitics of cyberspace where the strategies of conquest and the monopoly over information become the rival space of power between official government actors and other asymmetric actors.
Authors and Affiliations
Jure Vujić
Philosophy of Media, Myths and Imagination: Damanhur vs. Cern
The article examines the relationship of science, art, philosophy and media in today’s era, exploring the role of myth and imagination in the creation of a corpus of knowledge. In this context, there are two cases; as we...
Mythomania in Media Reporting in Montenegro
Polarized reporting of the most dominant media in Mne is a result of a historic necesity to portray rulers as great leaders, or to say his opponents as well, but also it is a result of a bipolarity based on the division...
Music and the Media, with Particular Attention to the Film
This report has originated from the need to synthesize, without any claims, the big love between these two forms of art, music and the cinema, which together conceive a unique sublime art. The 20th century, attuned with...
The Information, Media and Ownership
The article consists of four parts. In first part, we present an introduction to modern philosophy of information and describe main directions of research – qualitative and quantitative theory of information. In second p...
About Freedom, Determinism and Technodeterminism
What is ‘technological determinism’? Was Marshall McLuhan a ‘technological determinist’? The text compares different meanings of the term ‘determinism’. The text wants to show that the media philosophy warns of media inf...