Guitar - a sound episode in the works of Les Six

Journal Title: Edukacja Muzyczna - Year 2020, Vol 15, Issue 15

Abstract

The article aims at presenting the guitar output of the composers who were members of Les Six group. It may trigger further, detailed research into the guitar works of composers for whom this instrument became a mere sound episode in their oeuvre. Four of the six French composers included in this group: Georges Auric, Darius Milhaud, Francis Poulenc, and Germaine Tailleferre dedicated a part of their oeuvre to the guitar literature renascent in the first half of the 20th century. Their interest in the instrument was the result of the activity of the great masters of the time, Andrés Segovia and Ida Presti. It also resulted from their specific approach to creation – among other things, a desire to oppose the previous aesthetics or to write simple and humorous music, in which the guitar proved to be an excellent medium. The article contains an analysis of selected compositions and the genesis of their creation. The analysis also focuses on the role of the guitar in French music throughout the ages and the programmatic ideas of the group known as Les Six.

Authors and Affiliations

Wojciech Wojtuch https://orcid. org/0000-0003-1242-8779

Keywords

Related Articles

Tadeusz Wawrzynowicz (1905–1985) – musician and educator

Tadeusz Wawrzynowicz was a musician who greatly contributed to the artistic life of Częstochowa and educated new generations of musicians who continued his work. He devoted his life to music, its performance, popularizat...

The Idiom of the Classical Guitar: Analysing the Concept in Relation to the Challenges of Contemporary Repertoire

The term ‘idiom of the classical guitar’ is frequently used to intuitively identify the set of characteristics associated with this instrument. It serves as a cognitive shortcut, referencing the particulars of the instru...

String Quartets – Górecki’s Testament Rooted in Tradition

String quartets called by Górecki “the music on four instruments” were written especially for the American group of musicians Kronos Quartet. All the three were created in the late period of his creativity, as the symbol...

Vocal creation of Tibor Frešo (1918–1987) and its use for the teaching of solo singers at pedagogical faculties

The article deals with the vocal compositions of the jubilee Slovak composer Tibor Frešo (1918–1987). We focus on vocal compositions and song cycles, which can be used in the education of a solo singer at the tertiary gr...

Partity „Koori” i „Inuit” Krzysztofa Knittla – intermedialny „pejzaż dźwiękowy”

Intermedialność, jako fenomen kultury ponowoczesnej, stanowi jeden z ważniejszych paradygmatów współczesnych badań komparatystycznych. Teoria intermedialności autorstwa Wernera Wolfa zakłada obecność różnych relacji, w j...

Download PDF file
  • EP ID EP751428
  • DOI https://doi.org/10.16926/em.2020.15.14
  • Views 33
  • Downloads 0

How To Cite

Wojciech Wojtuch https://orcid. org/0000-0003-1242-8779 (2020). Guitar - a sound episode in the works of Les Six. Edukacja Muzyczna, 15(15), -. https://europub.co.uk/articles/-A-751428