Heideggers Kunstwerkaufsatz in mehrstimmiger Perspektive
Journal Title: Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy - Year 2012, Vol 4, Issue 1
Abstract
David Espinet, Tobias Keiling (Hrsg.), Heideggers Ursprung des Kunstwerks. Ein Kooperativer Kommentar, Frankfurt am Main: Klostermann Verlag, 2011
Authors and Affiliations
Diego d Angelo
Keywords
Related Articles
- EP ID EP103872
- DOI -
- Views 109
- Downloads 0
« Blasphème » ou « imagination sans fondement » ? La bataille des griefs théologiques entre Descartes et Malebranche
The goal of this article is to analyze a metaphysical and theological argument between Descartes and Nicolas Malebranche about the relationship between the eternal truths and God. We try to see whether the criticism that...
A Way Out for Philosophy
Kascha Semonovitch, Neal DeRoo (eds.), Merleau-Ponty at the Limits of Art, Religion, and Perception, London and New York: Continuum International Publishing Group, 2010
Hans-Georg Gadamer’s philosophical hermeneutics: Concepts of reading, understanding and interpretation
Hans-Georg Gadamer’s philosophical hermeneutics is a popular qualitative research interpretive method aiming to explore the meaning of individual experiences in relation to understanding human interpretation. Gadamer ide...
Handlung, Text, Kultur. Überlegungen zur hermeneutischen Anthropologie zwischen Clifford Geertz und Paul Ricoeur
The paper investigates the phenomenon of foreignness and its understanding in ethnographic and philosophical context. The role of a phenomenologicalhermeneutic conception of text and action in bridging the gap between th...
In Search for Forgiveness
Simon D. Podmore, Kierkegaard and the Self Before God Anatomy of the Abyss, Indiana Series in the Philosophy of Religion, Bloomington, 2011, 280p.