ICELANDIC LITERATURE IN THE U.S.: ON THE NATIONAL BORDERS IN LITERATURE
Journal Title: Studia Litterarum - Year 2016, Vol 1, Issue 1
Abstract
Literature has been central to Icelandic culture in the history of the nation. Icelandic immigrants in the U.S. created an original literature in their native tongue that, on the one hand, continued a rich Icelandic literary tradition going back to sagas and Edda texts, on the other hand, adopted New World themes and images and was influenced by literary forms inherent in American culture. American-Icelandic Literature exists as an independent cultural phenomenon and belongs to both cultures: American and Icelandic. Icelandic-American authors did not lose their national identity when writing in English as they preserved national narrative and poetic forms yet at the same time were part of American literature. National borders in the world literature are mainly defned by geographic and linguistic factors. The concept of national literature very often draws on the concept of national identity, literature being one of the most important components of cultural self-identifcation. Usually, immigrant literature intended for a specifc immigrant community, is interesting only to this community and is not seen as part of national culture in the home country. But in the case of Icelandic-American literature, it is possible to say that this literary tradition did not break its connections with Iceland, and regardless of the fact that Icelandic-American authors were writing in English, their works became part of Icelandic cultural heritage.
Authors and Affiliations
Andrey V. Korovin
Keywords
Related Articles
- EP ID EP26086
- DOI 10.22455/ 2500-4247-2016-1-1-2-192-210
- Views 737
- Downloads 25
THE PROBLEM OF MEMORY AND OBLIVION: BAKHTIN’S MECHANISMS OF SAVING / ERASING TRACES OF TRADITION IN CULTURAL HISTORY
The question of genre traditionally occupies a central position in Russian literary theory. This article focuses on the problem of memory and oblivion, their role in the development of literary genres, construction of...
Round Table “Istoriography of Russian Civil War in Literature, Ego-Documents and Criticism”
No Abstract
ON THE VISUAL ORIGINS OF ONE FOLKLORE MOTIF. THE TOMB IN THE CHURCH
The article examines the influence of Christian iconography on poetic images of Russian, Ukrainian, and Belorussian spiritual verses. It claims that the icons that symbolize the Passion of Jesus Christ, both in the West...
THE OCTOBER GARBO: CLASSICAL HOLLYWOOD AND THE REVOLUTION
I propose to discuss Ernst Lubitsch’s decision to tailor Ninotchka (1939), his film with Greta Garbo, to Garbo in the role of a Soviet revolutionary, which — given the overwhelming importance of Garbo to classical Holly...
THE STRUCTURE OF THE FANTÔMAS NOVEL SERIES BY PIERRE SOUVESTRE AND MARCEL ALLAIN AND THE PROBLEM OF SERIALITY IN POPULAR LITERATURE
The essay examines the structure of a 32-volume series of Fantômas novels created by Pierre Souvestre and Marcel Allain; it traces the origins and development of the serial genre and generic novelties related to serial...