ICELANDIC LITERATURE IN THE U.S.: ON THE NATIONAL BORDERS IN LITERATURE
Journal Title: Studia Litterarum - Year 2016, Vol 1, Issue 1
Abstract
Literature has been central to Icelandic culture in the history of the nation. Icelandic immigrants in the U.S. created an original literature in their native tongue that, on the one hand, continued a rich Icelandic literary tradition going back to sagas and Edda texts, on the other hand, adopted New World themes and images and was influenced by literary forms inherent in American culture. American-Icelandic Literature exists as an independent cultural phenomenon and belongs to both cultures: American and Icelandic. Icelandic-American authors did not lose their national identity when writing in English as they preserved national narrative and poetic forms yet at the same time were part of American literature. National borders in the world literature are mainly defned by geographic and linguistic factors. The concept of national literature very often draws on the concept of national identity, literature being one of the most important components of cultural self-identifcation. Usually, immigrant literature intended for a specifc immigrant community, is interesting only to this community and is not seen as part of national culture in the home country. But in the case of Icelandic-American literature, it is possible to say that this literary tradition did not break its connections with Iceland, and regardless of the fact that Icelandic-American authors were writing in English, their works became part of Icelandic cultural heritage.
Authors and Affiliations
Andrey V. Korovin
FATES AND BIOGRAPHIES OF THE AVANT‑GARDE ERA: INGEBORG PRIOR’S SOPHIE’S LEGACY. FROM HANOVER TO This is an open access article SIBERIA. A TRAGIC STORY OF SOPHIE distributed under the Creative LISSITZKY-KÜPPERS AND HER STOLEN PAINTINGS. (NOVOSIBIRSK: “SVIN’IN AND SONS,” 2016. 352 р.)
The article was prepared with the support of the Russian Foundation for The article was prepared with the support of the Russian Foundation for Humanities; project no № 16-04-00268: “Siberian avant-garde of the 1920s...
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