Ikonograficzne przedstawienie treści dogmatu trynitarnego na przykładzie ikony Trójcy Świętej Andrzeja Rublowa
Journal Title: Wrocławski Przegląd Teologiczny - Year 2017, Vol 0, Issue 2
Abstract
The byzantine art is based upon the Christological dogma. The artistic representations of Christ and saints is justified by the fact of incarnation. Since God became visible in Christ, it is possible to represent the God’s Son in the venerable images. However, such a strong connection between the legitimacy of the icon and the Christological doctrine raises the question whether it is possible to express other particular dogmatic contents by means of that art and aesthetics. The present article attempts to read integrally the Trinitarian truth as represented in the Andrei Rublev icon “The Trinity”. Yet, such integral reading requires not only to read the content displayed in the icon, but also to analyse if the internal dynamism of the aesthetic expression of the divine truth, besides its Christological justification, has a Trinitarian reason as well.
Authors and Affiliations
Jan Strumiłowski
Keywords
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Sprawozdanie z seminarium naukowego w Papieskim Instytucie Biblijnym w Rzymie pt. Il Pentateuco („Pięcioksiąg”)
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Recenzja: bp Andrzej Siemieniewski, ks. Mirosław Kiwka, Na fundamencie apostołów i proroków, Przebudzenie biblijnego Kościoła, Wrocław: Wydawnictwo Papieskiego Wydziału Teologicznego we Wrocławiu 2018, ss. 151
Recenzja: bp Andrzej Siemieniewski, ks. Mirosław Kiwka, Na fundamencie apostołów i proroków, Przebudzenie biblijnego Kościoła, Wrocław: Wydawnictwo Papieskiego Wydziału Teologicznego we Wrocławiu 2018, ss. 151.
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