Kani Karaca in the Turkish Religious Music tradition in 20th Century

Journal Title: Turkish Academic Research Review - Year 2021, Vol 6, Issue 1

Abstract

With this study, the contributions to the Turkish Religious Music made by Kâni Karaca who is one of the important representatives of Turkish Religious Music in the 20th century were determined. Furthermore, it’s also aimed to provide future generations with attitude and style added by him to our music. As a result of research made, it’s noticed that there is no any critical academic research study conducted for examining Kâni Karaca and because of lack of available documents, the interviews made with relatives of Karaca, his friends and students brought our study to life. As a result of obtained data, it’s revealed one more time that Karaca is an important representative of Turkish Religious Music by determining his performed mastery and notation of recordings voiced by him. Starting from voice recordings kept in archives, some of the songs voiced by him notated. Hereby, arrangements unique to him and applicability of tunes were revealed. All of the data used for the study were obtained through examining academic articles, interviews, documentaries, dissertations on religious music topics and various books.

Authors and Affiliations

Mustafa Asım Akkuş

Keywords

Related Articles

Benefit and its Legal Consequences in the Context of Criminal Liability

Ikrah is a coercion or threat exercise of a person capable of doing what he/she threatens upon another person to produce a fear, which causes him/her to undertake an action or utter a word that would not otherwise be sho...

Was Philosophy Teaching Banned in The Ottoman Madrasa Curriculum?

Seventeenth century versatile Ottoman scholar Taşköprüzâde Kātip Çelebi says in his books titled Keşfü’z-zünûn and Mîzânü’l-hak, that Fātih Sultan Mehmed had ordered that the kalam books named Haşiye-i Tecrîd and Şerh-i...

Examining the Story of Kamoos Keshani Based on Grice's Cooperative Principle

In terms of literature and characterization of the story, Kamoos Keshani is one of the important stories of Shahnameh which strictly observes the principles of conversation and the concept of communication between them....

Eylülün Kızgın Soluğu As a Exemplification For The Autobiographical Novels

In this study, we will handle Mehmet Başaran’s novel Eylülün Kızgın Soluğu from an autobiographical perspective. Autobiography writing, which dates back to ancient times, secured its position in our literature thoroughly...

Sources of Silkü’l-Le’āl-i Āl-i Osmān, a Verse Ottoman Chronicle

Ahmed Hasīb Efendi, one of the scholars of the 18th century in Ottoman, was a mudarris and judge for many years. Hasīb is a a poet and a historiographer who likes to write poems and has literary talent. Therefore he wrot...

Download PDF file
  • EP ID EP693108
  • DOI https://doi.org/10.30622/tarr.865870
  • Views 141
  • Downloads 1

How To Cite

Mustafa Asım Akkuş (2021). Kani Karaca in the Turkish Religious Music tradition in 20th Century. Turkish Academic Research Review, 6(1), -. https://europub.co.uk/articles/-A-693108