An article discusses two issues: continuous returnsof archaic photographic techniques in artisticpractice and a circulation of “technical”memory (or as Jacques Derrida called it – “artificial”memory, hypomnesis) in media...
Twentieth‑century literary transfer was effected mainly through written and printed texts. Walter Ong He stated that ‘the condition of words in the text is very different from their condition in spoken discourse’ and gav...
Cinema Of Attractions: Cartography, Critique, IndexIn this article I would like to present some reflections on the role played by the “cinema of attractions” in the history of film studies. First part of my essay includ...
Being one of the most prominent figures of the New York avant-garde scene since the early 1980s of the 20th century – John Zorn is almost nonexistent in the Polish musical studies. Moreover, even though his art is densel...
The paper discusses the ways of domesticating the feeling of sublime homelessness when contemplating the realm of outer space in Carl Sagan’s revolutionary television series Cosmos: A Personal Voyage (1980) and its prese...
EP ID EP80309
DOI -
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How To Cite
Aleksandra Drzał-Sierocka (2015). Kiedy świat staje się błękitem. Blue Dereka Jarmana jako artystyczny i osobisty manifest twórcy. Kultura Popularna, 1(43),
54-59. https://europub.co.uk/articles/-A-80309
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