Kobieta przy (filmowym) stole. Wegetarianizm, polityka mięsa i płeć kulturowa
Journal Title: Kultura Popularna - Year 2018, Vol 2, Issue 56
Abstract
The article explores cinematic representations of vegetarianism and meat-eating in the context of the blockbuster British romantic comedy Notting Hill (1999) and one of the episodes of the American legal drama The Good Wife, entitled The Red Meat. The article approaches the acts of meat consumption and its refusal performed by female characters from the perspective the sexual politics of meat whose major principles have been analyzed by Carol J. Adams in her 1990 work. The analysis of the representation of the relation between meat (consumed or rejected) and gender proposed in the article displays a twofold function it may perform in a cultural text: it may be used as a narrative strategy which helps complete a psychological portrait of a character and as a starting point to explore a changing status of vegetarianism in contemporary culture. Suspended between rejection and desire, animal meat served, as food becomes a focus of gender and identity inscribed in a broader context of the question of subjectivity of non-human animals.<br/><br/>
Authors and Affiliations
Marzena Kubisz
Graffiti w przestrzeni globalnej i lokalnej
Food documentary jako oręż żywieniowych aktywistów. O metodach prezentacji światopoglądu w filmach Super Size Me oraz Food, Inc
Technology of Control and Control of Technology in Brian K. Vaughan’s Ex Machina
In the classic era of American comics, the overwhelming majority of superhero stories focused on the straightforward struggle between good and evil, with superheroes embodying the positive values such as justice, order,...
The House of Usher Never Fell: Impossible Escapes and the Dark (K)night of the Soul
Among the abundance of possible readings of Poe’s short story, one of the most intriguing is its treatment as an escape fantasy - the image of the unnamed narrator delirious, flight from the collapsing structure at his b...
Ciała niezawodowców. O wczesnych filmach Janusza Kondratiuka