Methodical aspects of the performance of baroque ensemble works on classical guitar
Journal Title: Науковий часопис Національного педагогічного університету імені М. П. Драгоманова. Серія 5 Педагогічні науки: реалії та перспективи - Year 2018, Vol 61, Issue
Abstract
The article analyzes the methodological aspects associated with the performance of guitar works of the Baroque era. In the case of the interpretation of baroque chamber-instrumental ensemble works, a number of tasks arise before the performers that need to be considered. It is necessary to create editions that adapt the works written for the five-string guitar to the possibilities of modern classical. It is noted that many factors in the works of the Baroque era remain at the choice of musicians, namely – pace, some aspects of rhythmic organization, melismatics, dynamics – this requires careful preparation of the guitarist so that the performance does not change the author’s idea and corresponded to the spirit of the era. It is noted that in baroque works considerable variability in the guitar part is associated with melismatics – most often trill and mordent are used. In ensemble works writhed for guitar performance, various options for the use of other musical instruments are possible, which should also be determined by the specifics of the Baroque era – duets, trios with the addition of flute, violin, cello.
Authors and Affiliations
В. Д. Сологуб
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