MICROPOETICS OF KHARKIV POETESS KATAEVA`S LYRICAL CYCLES
Journal Title: Проблеми сучасного літературознавства - Year 2017, Vol 0, Issue 24
Abstract
The article deals with the investigation of role played by ;lyrical cycles as an independent genre in poetess` works and the analysis of separate components of micropoetics (for example: the rhythm, the phonics, the poetic meter), that facilitate the most complete and accurate embodiment of author`s intentions in the text. The question about independence of lyrical cycles was the object of numerous investigations and arguments. Representatives of the first theory regard lyrical cycle as an inseparable text, where each poem is its part, a stanza. Another group of scientists proclaim that the unity of the lyrical cycle depends on the structural autonomy of its components. So the lyrical cycle is characterized by the high level of derivableness of its components. The most appropriate definition of lyrical cycle from our point of view is represented in the third theory, whose author considers lyrical cycles as the unity of numerous independent poems that realize split-level textual connections. Which produce new semantic complexes indistinctive to semantic structure of each separate poem. This particular theory is an object of our investigation. Using method of comparison authors of this article succeeded to distinguish two types of poetic lyrical cycles in Kataeva` s works. One of them unites poems basing on the inner author`s emotion. Another – reflects main theme of all poems of the cycle. As a consequence, each cycle has its peculiar micropoetics` components. That feature leads us to further investigation of the impact that micropoetics has on the motive, the theme and the structure of the poems.
Authors and Affiliations
Kseniia Kalian
Keywords
Related Articles
- EP ID EP392046
- DOI -
- Views 111
- Downloads 0
ХУДОЖНІ ЗАСОБИ ВИРАЖЕННЯ АПОКАЛІПТИЧНИХ МОТИВІВ У РОМАНІ ЛЕСЯ ГОМІНА «ГОЛГОФА»
In the article we examine the poetics’ peculiarities of apocalyptic motives, especially their functioning in the novel of a little known Ukrainian writer Les Gomin «Golgotha». We analyse the reasons, why the author appli...
АВТОРСЬКА СВІДОМІСТЬ А. БАРБЮСА, Е. РЕМАРКА ТА О. ГОНЧАРА В МОДЕЛЮВАННІ КАРТИНИ СВІТУ
In this article the author examines the functions of consciousness in antiwar novels H. Barbusse, E. Remarque and O. Gonchar in the process of building of word view. The tragic problem is explored and its ontological int...
PERITEXT IN RAISA IVANCHENKO ’ S HISTORI CAL NOVEL «GOLDEN STIRRUPS»
The article gives a brief overview of the problem of partextuality in both foreign and Ukrainian literary studies. It is noted that the author has already addressed the issue of interconnections between elements of the f...
HYPOSTASES OF ARTISTIC SPACE: NOSTALGIA AND IMAGINATION (ON THE EXAMPLE OF THE STORY «KABALA » BY A. POTYOMKIN )
Artistic space, presented in the story «Kabala» by A. Potyomkin, can be seen in various hypostases. The real, ethereal and ill-fated areas of the imagination of the main character connects with his opium dependence. Parf...
HOMILETIC GUIDANCE OF ST. AUGUSTINE AND THE INTERPRETATIONS OF THE BIBLE IN «THE DIDACTIC GOSPEL» BY KYRYLO TRANGUILION STAVROVETSKY
The present article explores the general patterns of the Kyrylo Tranquilion Stavrovetsky’s homilies based on the rules of formal homiletics. St. Augustine treatise «De Doctrina Christiana» («On the Christian Doctrine») a...