МУЗЫКАЛЬНЫЙ ТЕЗАУРУС КАК ПРОСТРАНСТВЕННОЕ ИЗМЕРЕНИЕ ПРОЦЕССА ПОЗНАНИЯ
Journal Title: World Science - Year 2017, Vol 2, Issue 12
Abstract
As a phenomenon associated with cognition, the musical thesaurus is treated in the article as a process and structure. Its first property is due to the continuing expansion of information on the current generated by social experience and "collective intelligence", provided it is accumulated, the latter by the objective need to stabilize knowledge by incorporating it into a specific system, that is, structuring. Due to the fact that the process of cognition, in turn, is also structured in accordance with the general laws of human activity or its separate sphere, the pair-opposition "process-structure" leads to the categories of becoming-on, on the other hand, time and space. In the projection on the musical thesaurus, this means imprinting in it various "firm" norms of a person's or group's time-by-time flow of communication with an aesthetically, emotionally-psychologically, sensually and rationally mastered intonation-sound environment. In other words, the musical thesaurus is permissible to think as a spatial dimension of the process of cognition. The material forms related to the scientific understanding of the phenomenon of music and method of realization of idea musical are works, imprint in a historical aspect the way of their cognition, analytical experience, and also generalization of gain knowledge by means of categorizing. Separate work in such context opens up plural parties, the comprehension of that supposes different approaches and corresponding results, complementary each other within the limits of single scientific discipline, and, in final analysis, provides integrity of her thesaurus. Here knowledge of music closes up with knowledge about her and expressed by means of branch language including the special terms and unterminological everyday vocabulary.
Authors and Affiliations
М. П. Калашник
Keywords
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