[Na zewnątrz i wewnątrz. Wielość punktów widzenia w pamiętniku]
Journal Title: Prace Filologiczne. Literaturoznawstwo - Year 2018, Vol 8, Issue 0
Abstract
The aim of this paper is to investigate the concept of the point of view with regard to the genre of memoir. Having provided a brief discussion of the genre’s poetics and various, often conflicting attempts at establishing its generic indexes as well as its generic identity, the paper will examine several contemporary specimens of the memoir and will try to identify the occurrence of Gérard Genette’s modal triad (i.e. internal focalization, external focalization, and zero focalization) in their respective narratives. What is more, the paper will attempt to conclude whether such a narratological category as “mode” can be considered a generative tool as far as the memoir’s genology is concerned and, if so, what overall implications this recognition might have for understanding the memoir’s poetics and its traditional understanding as a genre of non-fiction.
Authors and Affiliations
Robert Kusek
In and Out, or the Memoir’s Many Points of View
The aim of this paper is to investigate the concept of the point of view with regard to the genre of memoir. Having provided a brief discussion of the genre’s poetics and various, often conflicting attempts at establishi...
[Na zewnątrz i wewnątrz. Wielość punktów widzenia w pamiętniku]
The aim of this paper is to investigate the concept of the point of view with regard to the genre of memoir. Having provided a brief discussion of the genre’s poetics and various, often conflicting attempts at establishi...
On the Zero Viewpoint in Drama
The author discusses the question of the so-called zero viewpoint in the context of the presence of epic elements in the dramatic text. Using the category of perspective in her study, she observes that one of the charact...
[Punkt widzenia a prasa codzienna na przełomie XIX I XX wieku]
The following article concerns the issue of point of view in Polish daily newspapers at the end of the 19th century. The daily is considered here as a coherent and cogent literary work based on fictional as well as non-f...
Tellers and Experiencers in Autobiographical Narratives: Focalization in “Peeling the Onion” by Günter Grass and “The Liars’ Club” by Mary Karr
This article examines the narrative point of view in two autobiographical texts, pointing out the diverse effects the narratives achieve by means of different focalization strategies. After a short explication of the spl...