Necessary Images: Mass Media and the Kingdom of Perishable

Journal Title: In Medias Res - Year 2012, Vol 1, Issue 1

Abstract

My primary thesis in this essay is that contemporary multimedia image represents the culmination of the modernist idea of “image” and its aesthetics. The “image” in this context is composed of three features essential to the formation of the early modern aesthetics: 1) mimetic character of the image, 2) particular sensuous experience, which has the power to seduce the viewer and 3) autonomy of the aesthetic experience. The appearance of the dynamic, interactive and multimedia “image” (e.g. television or internet) brings these early modernist ideas to its climax, turning them into a powerful instrument of manipulation. Mass-media become the generators of the “reality,” whose persuasiveness still relies on their supposed mimetic character. On the other hand, based precisely on this possibility to generate new realities, the media realize one of the very basic ideas of the modern art – the idea of autonomy of the aesthetic experience. The central means in this quest is again the seductive power of the sensuous representation. This way, the mass-media transfer the logic of the mass-consumption into the sphere of information and multimedia stimuli, which results in the viewer’s addiction to the “new” sensations. The thirst for the “new,” which means for the consummation of “new” sensations, leads us to the time of aposteriority, and to the “kingdom of perishable” in which nothing lasts more than a post on facebook or twitter. This way, the contemporary media manifest themselves as the culmination of the aesthetical idea of the sensuous representation as a seductive phenomenon and an “autonomous” experience, which can create and change the reality, not only represent it. Looking at the way which the so called social networks (especially facebook) function, one can conclude that this culmination of the manipulative sensuous experience lead not only to the addiction to multimedia stimuli, but also to the pasivization of individuals and, paradoxically, lack of their social life. This, in return, gives much broader opportunities to social and political elites to reinforce and spread their power.

Authors and Affiliations

Davor Džalto

Keywords

Related Articles

The Westernization and Colonization of the African Mind through the Media

The presentation deals with the issue of media imperialism and racism in the novel Americanah (2013) by Chimamanda Ngozi Adichie, Nigerian novelist and writer. The paper starts from the position of electronic colonialism...

Myth and Imagination

Myth and imagination have created one another. Our reality has born and created our imagination, and then our imagination has shaped and complemented our reality. We are creating a world the way we want it to be, and the...

The Cognitive Foundations of Understanding Film Style

The paper focuses on developing a cognitive foundations and aspects of understanding film style and accentuating their mutual relationship. Since the question of cognition and viewer’s attitude towards the cinematic repr...

Media Seduction in Modern Society of Spectacle and Manipulation

Media influence on almost all aspects of our lives, have caused major changes in the way of living and perceiving the world each individual. They have become a very important part of everyday functioning and aware of thi...

Media as Art

The text explores the status of mass and new media in contemporary time, and in relation to the realm of action and relation with the so-called. world of art. The theoretical focus of the review are, first of all, the do...

Download PDF file
  • EP ID EP440950
  • DOI -
  • Views 80
  • Downloads 0

How To Cite

Davor Džalto (2012). Necessary Images: Mass Media and the Kingdom of Perishable. In Medias Res, 1(1), 21-27. https://europub.co.uk/articles/-A-440950