NEW SOURCE FOR THE HISTORY OF “RESHILOVSKOE DELO” Podmetnoe pismo [Anonymous Letter] of 1732
Journal Title: Studia Litterarum - Year 2016, Vol 1, Issue 2
Abstract
The present publication is the frst edition of Podmetnoe pismo [Anonymous Letter] of 1732 which was considered to be lost. The appearance of the anonymous pamphlet criticizing the Holy Sinod church policy and foreign dominance in the Supreme power became a resonant event in the public life at the beginning of Anna Ioannovna’s reign. It caused years of judicial investigation carried out by the Secret chancellery during 1732–1738 later known as “Reshilovskoe delo.” Many innocent people were involved in this investigation and many were convicted. The pamphlet’s publication will help realize why this document was so dangerous for the state power and why it caused such violent reaction in the political circles of the time.
Authors and Affiliations
Olga A. Krasheninnikova
Round Table “Istoriography of Russian Civil War in Literature, Ego-Documents and Criticism”
No Abstract
BRITISH TRAVELERS’ IMPRESSIONS OF THE RUSSIANS DURING THE REIGN OF ALEXANDER II
This article examines the image of Russia and its people in the travelogues of British travelers during the rule of Alexander II (1855–1881). In reality, hardly anybody from Britain visited the country of the tsars, an...
Gorky’s Work and the Rise of Social Realism
In 1932, the Communist party ideologists called Maxim Gorky the founder of socialist realism at the behest of Stalin. This tag has turned into an ideological cliché that accompanies the writer’s image even in the prese...
Racine and Mandelstam
This article is a fragment of the PhD thesis Philosophical and Aesthetic Principles of Tragedy in Calderon and Racine (Department of the History of Foreign Literature, Moscow State University, 1988). In her dissertation...
THE NON-(POST)CLASSICAL WORLDVIEW IN NATIONAL LITERARY HISTORY: R. AKHMETZYANOV’S LYRICS
The article examines subjective architectonics in the work of the Tatar poet R. Akhmetzyanov’s (1935–2008) seeing it as a medium that discloses peculiar post-classical paradigm in the Tatar lyrics of the 1960–1680s. Th...