NIGERIA’S CULTURAL POLICY AND THE NEEDS OF THE PERFORMING ARTS

Journal Title: International Review of Humanities Studies - Year 2019, Vol 4, Issue 2

Abstract

Nigeria is a country reputed for its rich and diverse cultures from the multi-ethnic nationalities that make it up. Indeed, the diversity of traditions and cultures are evidenced in the nation’s more than four hundred and seventy (470) tribes. It is in the bid to ensure that each cultural entity is preserved, projected and promoted, that Nigeria has a cultural policy. The cultural policy is decidedly synonymous with the arts and artists since the arts and artists mainly generate the bulk of what materially, at least, constitutes culture. Of course, culture is derived from material and immaterial products all which are products of the creative ingenuities of artists. It is in line with this reasoning that this paper is written, to determine to what extent the Nigerian Cultural Policy has attended to the needs of the arts and artists, with particular emphasis on the performing arts. The performing arts in every culture make up the major part of such Culture’s creative and entertainment industry hence this paper is embarked upon to determine to what extent the policy has accommodated the needs of the performing arts. This is done through a detailed analytical assessment of the cultural policy. Recommendations are then made based on the conclusions drawn from the analysis.

Authors and Affiliations

Chukwuma Anyanwu

Keywords

Related Articles

STABILIZING OR DESTABILIZING? RECONSIDERING THE REVELANCY OF TURKEY’S NATO MEMBERSHIP

The focus of this study is the Republic of Turkey‟s involvement in NATO with a special attention to Turkey‟s gradual withdrawal from NATO member countries. Additionally, this study will also analyze the influences of Tur...

AN APPRAISAL OF THE ROLE OF INFORMATION AND COMMUNICATION TECHNOLOGY (ICT) IN PROPAGATION OF RELIGIOUS MESSAGES IN NIGERIA

It is heart-warming to assert that 21st century has witnessed unprecedented breakthroughs in information and communication technology. Thus, this astronomical breakthrough has brought unhindered privileges and accessibil...

A FUNCTIONALIST DISCOURSE OF THE INDIGENOUS DANCE THEATRE TRADITION IN AFRICA

This paper from participatory and critical perspectives, attempts a functionalist discourse investigation of the home-grown African dance tradition from a philosophical and sociological praxis. From an experiential vanta...

THE PRACTICE OF SECULARISM IN RELIGIOUS CENCORSHIP IN TURKISH FILM (1939-1990)

This paper analyzes a film as one of the media with the ability to convey certain messages to the public. Films can reflect the social and cultural conditions of society, thereby they can be used to spread the current id...

THE CRITICISM OF LITERALISM IN READING THE QUR'AN THROUGH NASR HAMID ABU ZAYD HERMENEUTICS

Abu Zayd believes that understanding the Qur'an is not limited to explanations or comments. It involves an interpretation process for capturing the significance (maghza) from the literal text. Interpretation also require...

Download PDF file
  • EP ID EP614082
  • DOI 10.7454/irhs.v4i2.177
  • Views 130
  • Downloads 0

How To Cite

Chukwuma Anyanwu (2019). NIGERIA’S CULTURAL POLICY AND THE NEEDS OF THE PERFORMING ARTS. International Review of Humanities Studies, 4(2), 717-727. https://europub.co.uk/articles/-A-614082