Od wiersza jako organizmu mówiącego po wiersz jako formalne pole wielościowe
Journal Title: Śląskie Studia Polonistyczne - Year 2018, Vol 12, Issue 2
Abstract
The text traces the author’s own theoretical inquiries about the function of the poem as an aesthetic object functioning in contemporary environments, from the earlier concept of “a poem as a speaking organism” to the contemporary slightly modified version of this idea. The modification corresponds with the remarks made by Andrzej Sosnowski who perceives contemporary poetry as the source of a negative and impenetrable performance permanently separated from the fallen world of the society. Moving from the theory of the poem as the „speaking organism” and discussing selected poems by American poets as well as his own, the author tries to develop such a concept which would enable him to protect the critical autonomy of poetry placed within the material and “contaminated” (Sosnowski’s notion) world. This new concept of the poem departs from the theory of an acute material outline and favours the critical re-conceptualizing processes which, according to the author, should occur in the contemporary poem. Such a poem is named by the author “a formal multiply field.”
Authors and Affiliations
Kacper Bartczak
Keywords
Related Articles
- EP ID EP522979
- DOI 10.31261/SSP.2018.12.02
- Views 51
- Downloads 0
Degeneracja, cyborgizacja, ewolucja – przedstawienia transhumanistycznych utopii i dystopii w grach komputerowych
Visions created by enthusiasts and critics of transhumanism represent both utopian possibilities and dystopian consequences entailed by creation of new humans. Narratives representing various ways of human evolution appe...
Sprawozdanie z konferencji „Fantastyczne kreacje światów? Recepcja – metodologia – interpretacja” (Wydział Filologiczny Uniwersytetu Śląskiego, Katowice, 28–30 października 2013)
Brak.
U źródeł żądzy pisania Czesława Miłosza
The article show what turned out decisive in Miłosz’s childhood and early youth times that made him later on decide to become a writer. The author examines circumstances under which Miłosz’s linguistic sensitivity in the...
Nimis poeta. Obraz grafomana w dawnej epigramatyce
The article discusses the issue of talentless writing as a topic of epigrams in both the Ancient and the Old-Polish literature. The text is an attempt to examine the emergence of the talentless writer motif in old epigra...
Trzy dystynkcje. O twórczości Adama Kaczanowskiego i problemach z jej recepcją
The article discusses three elements characteristic of the works of the poet, prose writer and performer Adam Kaczanowski, which resulted in the poor visibility of his achievements in the critical literary discourse afte...