“PANTOMIMIC CULTURE” AND INTERDISCIPLINARY ASPECTS OF ITS THEORETICAL UNDERSTANDING
Journal Title: Культура і мистецтво у сучасному світі - Year 2019, Vol 0, Issue 20
Abstract
The aim of the article is to identify the essence of the concept of “pantomimic culture”<br />based on the analysis of the concepts of “culture” and “pantomime”.<br />Research methods. The main methodological principles of the research are scientific<br />objectivity and systematic approaches in the use of complementary methods: theoretical<br />(analysis of cultural, art history and historical literature), empirical and analytical (theoretical<br />and art historical analysis of the phenomenon of “pantomime”). General culturological<br />research methods, historical and analytical methods, epistemological principles of cognition<br />of the essence of the concept of “pantomimic culture” were also used. Scientific novelty.<br />Mutual integration of the development and transformation of the concepts of “culture” and<br />“pantomime” has been analyzed in the context of the social and cultural space evolution.<br />The conceptual and categorical apparatus of the research has been defined, in particular,<br />the definition of the concept of “pantomimic culture” has been proposed. Conclusions.<br />The social and communicative significance of pantomime as a cultural phenomenon is<br />difficult to overestimate, since the pantomime act can be interpreted as an interpretation of<br />national or cosmopolitan culture codes, a social and cultural message, an eloquent action<br />of self-expression, a form of intercultural communication, etc. The pantomime culture is<br />positioned as an interdisciplinary concept, the essential basis of which is the triad: man –<br />culture – gesture that allowed us to define it as a cultural and anthropological concept; the<br />universal language of culture that is characterized by a special sign system and uses various<br />artistic signs (icons, indicators and symbols), endowed with certain properties; a unique<br />means of creative embodiment of emotional collisions between the man, art and society<br />under the conditions of modern stage space.
Authors and Affiliations
Bohdan Svarnyk
Keywords
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- EP ID EP627680
- DOI 10.31866/2410-1915.20.2019.172467
- Views 61
- Downloads 0
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