„Parki jutra” – idea parku w projektach architektów nowoczesności
Journal Title: Śląskie Studia Polonistyczne - Year 2018, Vol 11, Issue 1
Abstract
The article discusses the transformations of the idea of park in modernity. In the Age of Enlightenment Europe replaced the white of medieval cathedrals with the green of parks. A man, like Candide from Voltaire’s satire, started to “cultivate his garden,” changing private parks in public spaces. As a consequence of that process the idea of park as a place where you could experience beauty and pleasure completely “vanished”. Urban green spaces started to be determined by an efficacy parameter – which can be witnessed in Le Corbusier’s or Ebenezer Howard’s projects – thus opening the way for transforming former landscape parks into modern places of consumption: commercial parks and amusement parks.
Authors and Affiliations
Ireneusz Gielata
Dandyzm i pojedynek Jeszcze o „sprawie honorowej” pomiędzy Słowackim i Krasińskim
Common conceptions of the Enlightenment and the Romanticism lead to a hypothesis that the Romantics should stand in opposition to such archaic remnants of chivalric epic as duels. However, in Słowacki’s correspondence wi...
Długi cień Tolkiena
In the review of the book W cieniu białego drzewa. Powieść fantasy w XX wieku by Tomasz Z. Majkowski, the author argues its theses, indicating at significant shortcomings of the publication. At the same time, he presents...
Ucieczka z więzienia fantazji
The author of the article persuades us that the slogan of ideology is no longer “They do not know what they do, and, hence, they do it”, but, following Peter Sloterdijk, “They know what they do very well, and, yet, they...
Sprawozdanie z konferencji Marginalia, komentarze i przypisy w książce dawnej i współczesnej (Katowice, 18–19 października 2017 roku)
brak.
Smart obiekty w kontekście artefaktów awangardy i neoawangardy
The article traces the evolution of the status of objects, understood as a carrier of creative expression, from the avant-garde concepts of Duchamp readymades or surrealistic “disturbed objects” to neo-avant-garde instal...