Participatory art, new media and convergence art based on the example of La Fura Dels Baus Group
Journal Title: Art Inquiry. Recherches sur les arts - Year 2018, Vol 20, Issue
Abstract
The article attempts to present various categories of activities related to participatory art that we can find in the extensive artistic output of the Catalan group named La Fura dels Baus. Ever since it was established in 1979, the group has been presenting a wide variety of forms: open-air events, dramatic plays, operas, and performances. It uses typically theatrical techniques, emphasizing especially quasi-religious experiences and experiments originating from mythical prehistory of the stage art and newer group techniques (happening, techniques ped by groups of the contestation period). The article discusses such shows as: Accions (1983), Suz/O/Suz (1985), Noun (1990), Manes and MTM (both 1996), as well as XXX (2001). Special attention is paid to acquisition and adaptation of Artaud’s concept of “Theatre of Cruelty” in relation to the group’s activities, which at the same time are analysed from the perspective of audience participation in performances forced by artistic means.
Authors and Affiliations
Aneta Pawłówska, Anna Wendorff
Keywords
Related Articles
- EP ID EP429399
- DOI 10.26485/AI/2018/20/14
- Views 95
- Downloads 0
Subversive artistic strategies of the avant-garde and the crisis of modern experience
The purpose of this essay is to present several important changes in the sphere of modern experience and the strategies of the neo-avant-garde which correspond to them. Subversive practices of the avant-garde, as well as...
Change, break, crisis, or fulguration – what is a turn in art?
The aim of the article is to find the main determinants of the changes/transformations in art that would satisfy the necessary conditions for defining some phenomenon as a ‘turn’. The first part of the study presents som...
Nominalist re-turn in contemporary art
Hans Blumenberg has shown (Die Legitimität der Neuzeit) that the appearance of nominalism in the debates of the Middle Ages had laid grounds for modernity. Nominalism assumes that only individual, concrete objects exist...
Surréalisme en 1947 – occultism and the post-war marginalisation of Surrealism
The exhibition Surréalisme en 1947, organised in Paris (Galerie Maeght) by André Breton and Marcel Duchamp was an attempt to consolidate and reorient the Surrealist movement in the post-war reality. According to the tren...
The avant-garde: art as theory
The starting point of the paper are the questions formulated in 1993 by Philip Auslander as to whether the avant-garde is possible in postmodernism, or whether postmodernism itself can be regarded as a new phase of the a...